Florida Menu Collection: A New Taste of Florida History

By Yvette Yurubi, Reference Assistant, Special Collections

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The Buccaneer Lodge in Marathon, Florida, was a famous resort in the Florida Keys. This menu highlights some of the local seafood dishes.

There is much to be learned about a region’s culture and economy through looking at something as commonplace as a simple restaurant menu. Some of the world’s oldest menus trace back to clay tablets written by the Sumerians who devoted time to listing out foods that they would serve their gods. Since then, menus have become a daily part of our lives, so much so that they tend to go unnoticed beyond their utilitarian purposes. But they also have an important use in libraries and archives, shedding light on moments in time and highlighting changes in the world at large.

In a general sense, menus provide a very graphic and immediate window into the way economy, class, and cuisine affect one another. If you ever want to know where the upper echelons of any society chose to dine or what cuisine they revered as their finest, there is no better source than menus. Hotel and cruise menus, in particular, capture the cultural conscience in terms of what can be classified as luxury and exotic dining while menus for local eateries capture what the working class and less affluent chose to eat on a daily basis. Furthermore, they depict how the nation’s fluctuating GDP and increase or limits in global trade affected the prices of common, regional dishes and foreign dishes over time, showing the delicate interplay between supply and demand.

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Left: A mid-century menu from the Fleur de Lis Room, an iconic restaurant located inside the Fontainebleau Hotel on Miami Beach which hosted performances by Elvis and Frank Sinatra. Right: Menu cover from Little Havana’s China City, today known as Oriental Restaurant.

Florida’s menus, in particular, exhibit the rich history of the many diasporas that make up the state’s diverse population and a growing maritime and agricultural economy as new businesses started to emerge throughout the 1900s. The previous uninhabited swamp lands of Florida were purchased by visionaries like George E. Merrick, founder of Coral Gables, who sought to turn these lands into profit, thus aiding Florida in becoming an agricultural center that quickly expanded and prospered over time. As Florida’s land grew more attractive to other business moguls due to the year-round warm temperatures, its prime fishing locations, and its beautiful beaches, the hospitality industry also flourished.

In the 1960s and the decades that followed, mass diaspora from the Caribbean islands contributed to a dramatic cultural shift that had also affected the local cuisine, particularly in South Florida. Spanish and Caribbean food were rapidly becoming a staple there, introducing native Floridians and vacationers to a new array of dishes and flavors that would eventually expand internationally over time. These trends could be observed in the way traditional American dishes were being replaced by a growing obsession among food enthusiasts in fusion cuisine. The onset of the new millennium also brought about more awareness to health issues and lifestyle choices, paving the way for gluten-free, low-fat, and vegetarian dishes becoming ubiquitous among modern restaurant menus.

As part of our initiative to document Florida’s unique and evolving cultural history, we have been collecting menus from all over Florida and adding them our new Florida Menu Collection. We invite you now to come bring us all the menus you happen to find while dining out or strewn among your old belongings and to donate them to the University of Miami Special Collections department here on the 8th Floor of the Otto G. Richter Library.

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This Miami Beach eatery was also popular in the 1950s.



Goizueta Fellows: In Their Own Words

Throughout the 2016-2017 academic year the Cuban Heritage Collection is welcoming ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.

Our third fellow of the series, Rachel Emily Pérez, will discuss her work in a CHC Research Colloquium on Tuesday, August 2, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Rachel Emily Pérez

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Goizueta Fellow Rachel Emily Pérez is pursuing her Ph.D. in American Studies and African American Studies at Yale University.

Rachel Emily Pérez is a doctoral student in Yale University’s joint program in American Studies and African American Studies. Prior to that, she worked as an intern and researcher at Dr. Rafael Ma. Moscoso National Botanical Garden in Santo Domingo, Dominican Republic. She is a recipient of the 2016 Yale RITM Center Fellowship, which she is using to conduct additional archival and ethnographic research in Miami. In 2015 she received a Tinker Field Grant to conduct independent ethnographic and archival research in Havana, Cuba. In 2013, she received a Bachelor of Arts degree in history, anthropology, linguistics, and Spanish from the University of Georgia’s Honors Program, where she worked as a teaching and research assistant.

What university/program are you from?

I am from Yale University’s Joint Ph.D. Program in American Studies and African American Studies.

What are you working on?

I am investigating healing and religious practices among Cubans on the island and in the diaspora in the 20th and 21st centuries. More specifically, I am looking at the interactions between “alternative,” “traditional,” and “conventional” practices among this demographic, and the role of language and rhetoric in these interactions. I am additionally interested in the role of discourse in forging distinct categories such as “medicine” versus “religion.”

What do you expect to find at the CHC?

I expect to find a wide range of primary documents pertinent to my project. These include anthropological studies of healing-religious practices such as those found in the Lydia Cabrera Papers and in the Diana G Kirby Papers. I additionally hope to perform close readings of texts on health and medicine produced within the field of biology, such as those found in the Hady López papers. I additionally hope to learn more about Cuban immigrants’ healing-religious practices in many of the interviews from the Luis J. Botifoll Oral History Project.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on August 2, 3 p.m., at the Roberto C. Goizueta Pavilion.

*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.

About the Goizueta Foundation Graduate Fellowships Program

The Goizueta Foundation Graduate Fellowships Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of these fellowships is to engage emerging scholars with the materials available in the Cuban Heritage Collection and thus contribute to the larger body of scholarship in Cuban, hemispheric, and international studies.

For more information about fellowship opportunities to study at the Cuban Heritage Collection or to learn about past fellows, click here.



Goizueta Fellows: In Their Own Words

Throughout the 2016-2017 academic year the Cuban Heritage Collection is welcoming ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.
Our second fellow of the series, Mariel Martínez Alvarez, will discuss her work in a CHC Research Colloquium on Monday, August 1, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Mariel Martínez Alvarez

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Goizueta Fellow Mariel Martínez Alvarez is pursuing her Ph.D. in Spanish at the University of Michigan.

 

Mariel Martínez Alvarez is a Ph.D. student in Spanish at the University of Michigan. She is interested in Cuban literatures across the diaspora and is planning to write her dissertation on Cuban American literature and culture. Previously Mariel was a teaching assistant at Washington University in St. Louis, where she received her M.A. in Hispanic literatures. She also earned an M.A. in comparative literature at the Universidad Complutense de Madrid, where she defended her dissertation, titled “Subjectivity, Fiction and Dictatorial Power in Reinaldo Arenas’s The Color of Summer or the New Garden of Earthly Delights.” She received her bachelor’s degree in literature from the Universidad de las Américas Puebla in Mexico.

What university/program are you from?

I am a Ph.D. student at the University of Michigan. I am completing my Ph.D. in Spanish in the Romance Languages and Literatures department.
What are you working on?

I am researching the Cuban diaspora in Spain and in the United States.

What do you expect to find at the CHC?

In the CHC I expect to find unpublished essays, correspondence, and articles of and about the Cuban poet Gastón Baquero, who was engaged with the Batista government and went to Spain after the triumph of the revolution. As a public intellectual during the Francoism, I am interested in analyzing his production of a colonial imaginary when narrating the dynamics between Cuba and Spain.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on August 1, 3 p.m., at the Roberto C. Goizueta Pavilion.
*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.

About the Goizueta Foundation Graduate Fellowships Program

The Goizueta Foundation Graduate Fellowships Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of these fellowships is to engage emerging scholars with the materials available in the Cuban Heritage Collection and thus contribute to the larger body of scholarship in Cuban, hemispheric, and international studies.
For more information about fellowship opportunities to study at the Cuban Heritage Collection or to learn about past fellows, click here.



UM Libraries Celebrates South Florida’s Caribbean Voices

By Sarah Block

Click the image to view all interviews online.

In his work as a corporate attorney Marlon Hill represents artists and creatives in the South Florida area seeking to build a brand. Outside of the courtroom, however, Hill is an advocate for those who are grappling with issues of identity as individuals in a new land and culture.

“I feel very strongly about helping any student who is going through a process of acclimation, assimilation, and integration,” he explains in his oral history interview at the University of Miami Special Collections as part of its new Caribbean Diaspora Oral History Project. “The success of that person and that person’s family is dependent on how those three areas of immigration are. They can make or break a family.”

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Artist Edouard Duval Carrie shared his story at Special Collections in the Caribbean Diaspora Oral History Project. Highlights from each of the oral history interviews are available on Twitter, Facebook, and Instagram.

Hill, a Miami resident originally from Jamaica, said his own struggles in the immigration process as a teenager fueled a desire for mentoring new immigrants, as early as his college years. Today he joins a growing list of South Florida community members of Caribbean origin who are telling their stories in the series sponsored by the Florida Division of Cultural Affairs.

So far, more than 20 individuals, including photojournalist Carl Juste, TV Producer/host Elizabeth Guérin, and artist Edouard Duval Carrie have taken part in the series, which spans topics surrounding their various experiences and contributions to the South Florida community in such areas as art and media, education, entrepreneurship, and activism.

“Our interviewees are individuals who are actively involved in a creative blending of their immigration experience with their lives in the United States,” said Special Collections’ Manuscripts Librarian Beatrice Skokan, who led the project, at a July 13 celebration of the series that recognized its first group of participants.

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UM Libraries Manuscripts Librarian Beatrice Skokan thanks donors during the reception.

Skokan describes the series as an important initiative for Special Collections and its Caribbean Archive, which houses rare maps, books, and correspondence as well as materials that document modern life and families of the Caribbean basin. “The South Florida region, with its multiplicity of migrations, has become an ideal setting for the historical documentation of hemispheric encounters,” Skokan says. “This is about documenting the experience of people who inhabited Caribbean regions from their point of view—unedited by another’s gaze and interpretation.”

Many of the department’s most rare and historical Caribbean materials, dating back to the 1700s, were donated by some of UM’s earliest supporters, underscoring one of the region’s and the University’s enduring strengths. At his January inauguration, President Julio Frenk described a “hemispheric” aspiration as one of four defining visions for the future of the University.

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Oral history donors Marlon Hill (second from right) and Elizabeth Guérin (right) with guests at Special Collections’ Caribbean Voices reception.

The ongoing series is now accessible to students, scholars, and the general public for research on a variety of topics related to South Florida’s Caribbean diaspora. It currently features individuals of Haitian, Dominican, Bahamian, Venezuelan, Cuban, and Colombian origins, among others, with the intent of continued growth as new funding becomes available.

Interviews, which were conducted by Julio Estorino and Lucrèce Louisdhon-Louinis along with Skokan, are accessible from UM Libraries’ website. Additional oral history projects of UM Libraries include the Haitian Diaspora Oral Histories; the Cuban Heritage Collection’s Luis J. Botifoll Oral History Project and Human Rights Oral History Project; and collaborations with National Public Radio’s StoryCorps, including StoryCorps Historias and StoryCorps Military Voices Initiative (carried out with the nonprofit Warmamas), which is currently in process.

Current participants of the Caribbean Diaspora Oral History Project include:

Elizabeth Baez, Artist/Educator

Firelei Báez, Artist

Ronald Bilbao, Legislative Specialist

Lucy Canzoneri-Golden, Artist/Educator

Tiberio Castellanos, Journalist

Edouard Duval Carrié, Artist

Elizabeth Guérin, TV Producer/Host

Roberto Guzmán, Linguist/Writer

Marlon Hill, Attorney

Carl Juste, Photojournalist

Fr. Alejandro López, Priest

Gepsie Metellus, Community Leader

Francisco Portillo, Immigration Activist

María Rodriguez, Activist

Ruby Romero-Issaev, Producer/Marketing Director

Nora Sandigo, Immigration Activist

Althea “Vicki” Silvera, Archivist

Patricia Sowers, Nonprofit Director

Nixon St. Hubert (DJ Nickymix), DJ/Producer

Federico Uribe, Artist

Dr. Freddie G. Young, Educator/Community Leader

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council of Arts, and the State of Florida. If you are interested in learning more about this collection, or to recommend someone for this project, please call 305-284-3247.

Event photos by Mitchell Zachs.



Join Us for Adobe Spark Workshop at Shalala Student Center on July 28

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Thursday, July 28
10 a.m. – 12 p.m.

Donna E. Shalala Student Center
Senate Room | 3rd Floor
1330 Miller Drive | Coral Gables, FL 33146
*please note change in venue

Co-presented by the UM Libraries Digital Media Lab

Ben Forta, Adobe Senior Director for Education Initiatives, and Patrick Koster, Adobe Senior Customer Success Manager for the University of Miami, will be co-delivering a hands-on workshop to familiarize attendees on Adobe Spark for creating engaging visual stories delivered as web browser experiences and narrated/animated videos.

This free workshop is open to UM faculty, staff, and students. If you’re interested in attending, please send an email to richterevents@miami.edu.

Adobe + University of Miami

The University of Miami has made a significant investment in providing access across campus to Adobe Creative Cloud desktop applications like Acrobat, Photoshop, Illustrator, InDesign, Premiere Pro, and more. These are powerful tools for PDF workflowsimage editinggraphic designpublication layout, and video editing, but come with a bit of a learning curve. The University is working with Adobe to offer training and workshops to help the UM community maximize the benefits of these tools, including year-round support for students, faculty, and staff at the University of Miami Libraries Digital Media Lab.

Newly released Adobe Spark provides next-generation Web tools to help individuals and organizations easily communicate with immediate impact and broad distribution. Come learn how to turn your ideas into social graphics, animated videos, and web stories—in minutes.

Parking is available at the Pavia Garage near Stanford Drive. Permit holders may park at any colored lot except blue and purple. Please click map image below to enlarge.

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UM Libraries Co-Host 2016 Rare Books and Manuscripts Section (RBMS) Conference

Librarians and archivists gathering for the 2016 Rare Books and Manuscripts Section (RBMS) conference brought their passion for rare books, old maps, pamphlets, letters, and history in many other forms to Coral Gables for a four-day discussion on bridging collections with potential users and donors across communities.

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Special Collections Librarian Jay Sylvestre leads a tour of rare materials in an “Instameet,” bringing together RBMS participants active in promoting resources through social media. Posts from this meet up can be found on Instagram using #InstaMeetUM.

More than 400 library professionals of colleges and universities nationwide came together for the nearly 60-year-old RBMS conference, hosted this year by the University of Miami Libraries and University of Florida Smathers Libraries, from June 20 to 24, on the theme of Opening Doors to Collaboration, Outreach and Diversity.

“It’s about making sure the diversity of our communities are being reflected in our collections, and finding ways to make them more accessible to all for greater enrichment and impact,” says Cristina Favretto, head of Special Collections and a 2016 conference organizer. Several of UM’s librarians participated in conference panels and workshops, held mainly at the Biltmore Hotel and additionally on the University of Miami’s Coral Gables campus.

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UM Libraries and UF Smathers Libraries hosted a reception at the Shalala Student Center on June 23.



2016 New Directions in Cuban Studies Conference

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The University of Miami Cuban Heritage Collection (CHC) will host a multidisciplinary conference October 20-21, 2016, to disseminate the work of graduate students and emerging scholars and survey the current status of Cuban and Cuban American Studies.

The application period for papers and panel proposals has now closed. Please stay tuned for event registration information.

About New Directions in Cuban Studies 2016

Planning for the 2016 conference is underway with the strong support of our organizing committee. The committee is made up of the following individuals:

  • Dr. Victor Deupi, Lecturer, University of Miami School of Architecture
  • Dr. Lillian Manzor, Associate Professor and Interim Chair, Department of Modern Languages and Literatures, University of Miami College of Arts and Sciences
  • Mei Méndez, Interim Esperanza Bravo de Varona Chair, University of Miami Cuban Heritage Collection
  • Dr. Martin Tsang, CLIR Postdoctoral Fellow in History and Area Studies, University of Miami Libraries

The New Directions in Cuban Studies conference is free and open to the public.  Registration is required.

Conference History

The inaugural conference was held in 2014 and included the participation of 13 former CHC fellows. The event’s keynote speaker was Louis A. Pérez, Jr. Panel discussants included Ada Ferrer, New York University, José Quiroga, Emory University, Lisandro Pérez, John Jay College of Criminal Justice, and María de los Angeles Torres, University of Illinois, Chicago.

The 2014 New Directions in Cuban Studies conference was made possible in part through funding from The Goizueta Foundation and the Amigos of the Cuban Heritage Collection.



Goizueta Fellows: In Their Own Words

Starting this summer the Cuban Heritage Collection welcomes ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.

Thanks to Melissa Bumbach for taking part in the first interview of the series. Melissa will discuss her work in a CHC Research Colloquium on Wednesday, June 29, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Melissa Bumbach

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Goizueta Fellow Melissa Bumbach is pursuing her Doctorate of Musical Arts in Choral Conducting at the University of Miami Frost School of Music.

Melissa Bumbach is a teaching assistant at the University of Miami Frost School of Music where she is pursuing her Doctorate of Musical Arts in Choral Conducting with a cognate in music education. She has been awarded two research grants to fund dissertation research in Cuba and the U.S. Previously, she was the choral director at Howard Middle School in Marion County, Florida, where she was named the 2012 Howard Middle School Teacher of the Year and awarded a $10,000 grant for her choral program from the TV show Glee and the National Association for Music Education. She went on to be named the 2012 Marion County Teacher of the Year. Melissa is also a professional vocal soloist and choral singer and has recorded with Gloria Estefan and sung the National Anthem at the 2016 CNN Republican Presidential Debate in Miami, FL. Melissa received her master’s degree in choral conducting at the University of South Florida, where was the Graduate Conducting Apprentice for the Master Chorale of Tampa Bay. She received her bachelor’s degree in music education from Palm Beach Atlantic University.

What university/program are you from?

University of Miami Frost School of Music, pursuing a Doctorate of Musical Arts in Choral Conducting

What are you working on?

I am conducting an oral history of Dr. Digna Guerra, the director of the National Choir of Cuba since 1975, for my dissertation. Chamber choirs from the National Choir of Cuba have recently performed at the baseball game attended by U.S. President Barack Obama and Cuban President Raúl Castro as well as with the Rolling Stones.

What do you expect to find at the CHC?

The Cuban Heritage Collection contains the Manuel Ochoa papers. Manuel Ochoa, a well-known choral and orchestral conductor, was Dr. Guerra’s conducting teacher in Cuba in the 1960s. I hope to find materials from Dr. Guerra’s time under Manuel Ochoa’s direction. I also hope to find materials related to Dr. Guerra’s many choral performances and professional recognitions in Cuba and internationally.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on Wednesday, June 29, 3 p.m. at the Roberto C. Goizueta Pavilion.

*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.

About the Goizueta Foundation Graduate Fellowships Program

The Goizueta Foundation Graduate Fellowships Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of these fellowships is to engage emerging scholars with the materials available in the Cuban Heritage Collection and thus contribute to the larger body of scholarship in Cuban, hemispheric, and international studies.

For more information about fellowship opportunities to study at the Cuban Heritage Collection or to learn about past fellows, click here.



Join Us for Caribbean Voices on July 13

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University of Miami Special Collections cordially invites you to a reception in appreciation of those who made possible the Caribbean Diaspora Oral History Project.

Wednesday, July 13, 2016 | 6:30 p.m.

Otto G. Richter Library, 8th Floor
University of Miami | 1300 Memorial Drive | Coral Gables, FL 33146

This event is free and open to the public. RSVP to richterevents@miami.edu or call 305-284-4026.

In 2015, 20 influential Miamians took part in the inaugural series of oral history interviews known as the Caribbean Diaspora Oral History Project. By sharing their stories, these individuals have helped the University of Miami Special Collections continue its important work of documenting the history of the Caribbean and its diaspora for the future use of students, scholars, artists, and community researchers.

Please join us for a reception to celebrate the completion of this inaugural series and recognize the individuals who have made it possible.

#CaribbeanVoices
Find Special Collections on Facebook, Twitter, and Instagram for special sneak peaks of the project—featuring a new oral history donor each day!

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council of Arts and Culture and the State of Florida.

Please click map image below to enlarge. Contact us at 305-284-4026 or richterevents@miami.edu with questions about directions and parking.

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Notes from the Miami Zine Fair

By Jay Sylvestre, Special Collections Librarian

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Zine Fair attendees on the plaza at HistoryMiami

On Saturday, April 30, Special Collections and the UM Gender, Sexuality, and Visual Studies Collective shared a table at the 3rd annual Miami Zine Fair. The Zine Fair, organized by Exile Books and hosted by HistoryMiami, featured 140 tables of zine makers, artists, and poets. The event drew more than 1,500 people who came to purchase and swap zines, chat with their favorite zinesters, or simply learn more about zines.

 

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Special Collections Librarian Jay Sylvestre at the zine table.

Special Collections assembled a zine about zines that we called Zineology #1. With more than 6,000 zines in our collection we knew we couldn’t share details about each one so we decided to approach the collection thematically. Zineology highlighted several of our distinct zine collections along with zine subject areas like music, perzines (short for personal zines), gender and sexuality, science fiction, and Florida zines.

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The UM Gender, Sexuality, and Visual Studies Collective

The initial focus of the zine collection was on Florida or Florizines, but it quickly became clear that just as zines serve to subvert and expand the conversation, we knew we couldn’t limit the collection geographically. Florida zines will always be a particular focus, but the amount of variety in the eclectic world of zines requires that we collect zines about anything and everything from here, there, and everywhere.

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Zine artist and Special Collections Library Assistant David Rodriguez (right) recently donated this zine he presented at Zine Fair to our collection.

We met so many people at the Zine Fair that we ran out of business cards and gave away almost the entire first run of Zineology. We had countless conversations with people about the existence of our collection; many of whom had no idea that UM Special Collections has such an extensive zine collection. Participating in an event like the Zine Fair was the perfect venue to share this information. We lost track of how many new potential researchers we met, but we know that we’ve already been contacted by a few people from the fair about adding their zines to the collection.

If we met you on Saturday at the Zine Fair and you would like to add your zines to the collection please give us a call!

 

 

 

 

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Stop by the Richter Library 8th floor and pick up a copy of Zineology #1 for detailed highlights of the zine collection.