2016 New Directions in Cuban Studies Conference

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The University of Miami Cuban Heritage Collection (CHC) will host a multidisciplinary conference October 20-21, 2016, to disseminate the work of graduate students and emerging scholars and survey the current status of Cuban and Cuban American Studies.

Call for Papers

The planning committee for the 2016 New Directions in Cuban Studies conference welcomes panel submissions as well as individual paper proposals on any topic that relates to the overall theme of fresh, innovative, and emerging research on Cuba.

Submit a Proposal

Eligibility

  • Advanced graduate students
  • Emerging scholars (defined as having received Ph.D. within the last five years)

Application Instructions

Proposals can be submitted electronically through Interfolio until July 30, 2016,* and should include:

  • Completed application form
  • Abstract of no more than 500 words
  • Language of presentation (English or Spanish)

To propose a complete panel, please indicate the theme or unifying topic described in a short panel abstract. Panels are composed of four presenters, one of whom is to be named chairperson to act as moderator/discussant. Each presenter must also be named in the submission with accompanying contact information, title, and short abstract of paper.

*Applicants whose proposals are accepted will be notified on August 15, 2016, and are required to submit a full paper by September 30, 2016.

Additional Information

  • Past and current recipients of a CHC or Goizueta Foundation Graduate Fellowship are strongly encouraged to apply.
  • Papers presented at the conference may be selected for publication in the conference proceedings.
  • Thanks to funding from The Goizueta Foundation, the Cuban Heritage Collection will contribute toward the travel expenses of those selected to participate in the conference.

Submit a Proposal

Questions?  Please contact Mei Méndez, Interim Esperanza Bravo de Varona Chair of the Cuban Heritage Collection, at meimendez@miami.edu or 305-284-4900.

About New Directions in Cuban Studies 2016

Planning for the 2016 conference is underway with the strong support of our organizing committee. The committee is made up of the following individuals:

  • Dr. Victor Deupi, Lecturer, University of Miami School of Architecture
  • Dr. Lillian Manzor, Associate Professor and Interim Chair, Department of Modern Languages and Literatures, University of Miami College of Arts and Sciences
  • Mei Méndez, Interim Esperanza Bravo de Varona Chair, University of Miami Cuban Heritage Collection
  • Dr. Martin Tsang, CLIR Postdoctoral Fellow in History and Area Studies, University of Miami Libraries

The New Directions in Cuban Studies conference is free and open to the public.  Registration is required.

Conference History

The inaugural conference was held in 2014 and included the participation of 13 former CHC fellows. The event’s keynote speaker was Louis A. Pérez, Jr. Panel discussants included Ada Ferrer, New York University, José Quiroga, Emory University, Lisandro Pérez, John Jay College of Criminal Justice, and María de los Angeles Torres, University of Illinois, Chicago.

The 2014 New Directions in Cuban Studies conference was made possible in part through funding from The Goizueta Foundation and the Amigos of the Cuban Heritage Collection.



Goizueta Fellows: In Their Own Words

Starting this summer the Cuban Heritage Collection welcomes ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.

Thanks to Melissa Bumbach for taking part in the first interview of the series. Melissa will discuss her work in a CHC Research Colloquium on Wednesday, June 29, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Melissa Bumbach

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Goizueta Fellow Melissa Bumbach is pursuing her Doctorate of Musical Arts in Choral Conducting at the University of Miami Frost School of Music.

Melissa Bumbach is a teaching assistant at the University of Miami Frost School of Music where she is pursuing her Doctorate of Musical Arts in Choral Conducting with a cognate in music education. She has been awarded two research grants to fund dissertation research in Cuba and the U.S. Previously, she was the choral director at Howard Middle School in Marion County, Florida, where she was named the 2012 Howard Middle School Teacher of the Year and awarded a $10,000 grant for her choral program from the TV show Glee and the National Association for Music Education. She went on to be named the 2012 Marion County Teacher of the Year. Melissa is also a professional vocal soloist and choral singer and has recorded with Gloria Estefan and sung the National Anthem at the 2016 CNN Republican Presidential Debate in Miami, FL. Melissa received her master’s degree in choral conducting at the University of South Florida, where was the Graduate Conducting Apprentice for the Master Chorale of Tampa Bay. She received her bachelor’s degree in music education from Palm Beach Atlantic University.

What university/program are you from?

University of Miami Frost School of Music, pursuing a Doctorate of Musical Arts in Choral Conducting

What are you working on?

I am conducting an oral history of Dr. Digna Guerra, the director of the National Choir of Cuba since 1975, for my dissertation. Chamber choirs from the National Choir of Cuba have recently performed at the baseball game attended by U.S. President Barack Obama and Cuban President Raúl Castro as well as with the Rolling Stones.

What do you expect to find at the CHC?

The Cuban Heritage Collection contains the Manuel Ochoa papers. Manuel Ochoa, a well-known choral and orchestral conductor, was Dr. Guerra’s conducting teacher in Cuba in the 1960s. I hope to find materials from Dr. Guerra’s time under Manuel Ochoa’s direction. I also hope to find materials related to Dr. Guerra’s many choral performances and professional recognitions in Cuba and internationally.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on Wednesday, June 29, 3 p.m. at the Roberto C. Goizueta Pavilion.

*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.

About the Goizueta Foundation Graduate Fellowships Program

The Goizueta Foundation Graduate Fellowships Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of these fellowships is to engage emerging scholars with the materials available in the Cuban Heritage Collection and thus contribute to the larger body of scholarship in Cuban, hemispheric, and international studies.

For more information about fellowship opportunities to study at the Cuban Heritage Collection or to learn about past fellows, click here.



Join Us for Caribbean Voices on July 13

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University of Miami Special Collections cordially invites you to a reception in appreciation of those who made possible the Caribbean Diaspora Oral History Project.

Wednesday, July 13, 2016 | 6:30 p.m.

Otto G. Richter Library, 8th Floor
University of Miami | 1300 Memorial Drive | Coral Gables, FL 33146

This event is free and open to the public. RSVP to richterevents@miami.edu or call 305-284-4026.

In 2015, 20 influential Miamians took part in the inaugural series of oral history interviews known as the Caribbean Diaspora Oral History Project. By sharing their stories, these individuals have helped the University of Miami Special Collections continue its important work of documenting the history of the Caribbean and its diaspora for the future use of students, scholars, artists, and community researchers.

Please join us for a reception to celebrate the completion of this inaugural series and recognize the individuals who have made it possible.

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Find Special Collections on Facebook, Twitter, and Instagram for special sneak peaks of the project—featuring a new oral history donor each day!

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council of Arts and Culture and the State of Florida.

Please click map image below to enlarge. Contact us at 305-284-4026 or richterevents@miami.edu with questions about directions and parking.

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New Library Catalog Now Live: Search, Browse, and Discover with uSearch

For the past year, UM’s nine libraries have been collaborating on a merger and migration to a new library management platform and catalog/discovery tool in order to streamline access to the University’s millions of library holdings. The new catalog, known as uSearch, went live May 19, uniting three separate catalogs from across the Coral Gables, Miller School of Medicine, and Rosenstiel campuses.

The library-wide effort was first announced to the University community in February. “Faculty and students on all campuses will be very pleased to discover that, with one search, resources from across the University’s libraries will be displayed on their screen,” said Professor of Law Sally Wise, chair of the Faculty Senate Library & Information Resources Committee and director of the Law Library.

Library users can explore uSearch from an interdisciplinary access point or focus their searches through the uSearch portals of Medical and Law libraries, which have been customized with additional search settings specific to those subject areas.

What does this mean for library users?

  • One catalog: All resources from Law, Medical (Calder, Ophthalmology, and UMH Libraries), Interdisciplinary (Richter), and the subject specialty libraries (Architecture, Business, Marine & Atmospheric Science, and Music) will be available in one catalog.
  • One search: Users will now be able to search all locally digitized/created resources from a single search field. This search includes digitized content from our distinctive collections, institutional repositories, and UM electronic theses and dissertations.
  • One login: Users will have a single means of authentication for most library resources (CaneID).*

Additionally users can look forward to enhanced communications on borrowed materials, including courtesy notices in advance of an item’s due date and loan and check-in receipts.

What do users get by logging in to the system?

While anyone may browse the catalog as a guest, signing in to the system provides users with access to a suite of services that includes:

  • the ability to request and/or place a hold on library materials
  • customize search preferences
  • save customized searches
  • save articles and catalog entries
  • add notes
  • create folders
  • export information to bibliographic software
  • receive alerts when new items are added that fit one’s search parameters, topics of interest, etc.

NOTE: Due to publisher licensing restrictions, results from some databases (e.g., Web of Science) only display if users are logged in.

Need help?

Find search tips and guidance on the use of specific uSearch features for interdisciplinary, Medical, and Law libraries:

Feedback and questions

We welcome your feedback and are grateful for your patience during this implementation process.

*Interlibrary Loan services of the Law and Medical libraries will remain independently operated by their respective departments.



This Just In: Pan Am Memories

By Yvette Yurubi

A few months ago, we were honored to have former Pan Am stewardess, Daniele Desmoulins Perez-Venero, visit us to donate some of her papers to supplement our Pan American World Airways, Inc. records and our World Wings International, Inc. records. When asked to enrich her donation with some biographical tidbits about her time in Pan Am, she shared with us a few of her fondest memories of how she began as a stewardess and her years working for the glamorous airline:

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“It had barely been two months since I had arrived in New York coming from Paris in a Norwegian cargo boat. I was 24 years old and fearless.

I arrived alone in October of 1964 with 200 dollars in my pocket, no job in sight but possessing a precious green card. I was lucky to get hired as a secretary by the Cultural Department of the French Embassy about a week after my arrival and before all my money ran out. About a month and half later when I saw an advertisement in the newspaper that Pan American World Airways was looking for stewardesses, I was ecstatic. This had always been a dream of mine! So I hurried to make an appointment for an interview and decided to miss work on that day.

After dressing up in my second-hand blue suit, white blouse, and high-heeled leather black shoes, I presented myself at the appointed time and place. The waiting room was full of anxious-looking young ladies like me. When my turn finally came to be called, I was ushered into a dark room where someone -I assume was a psychologist- started asking me questions about myself and about pictures projected on a screen. Then, I was led into a small room with a window where a panel of four friendly looking people was seated. They asked me the usual questions: why do you want to work for Pan Am, how many years of college do you have, what other languages do you speak… I answered everything to their satisfaction. Then they asked me to tell them a little about myself, so I recounted the story of my arrival in New York and also how I had managed to learn English and Spanish fluently. They seemed to be so impressed that they decided to hire me on the spot! They asked me not to tell anyone because this was not done according to their usual long procedure where they would send letters weeks after the interview to let the candidates know whether they had been accepted or not. Of course, I was flattered and left the room beaming.

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After about a month of training and after graduation, Pan Am offered us a choice of destinations for our first flight as trainees. They let me have my first choice which was New York to Paris (with a layover in Paris) and Paris to Monrovia, Africa, where we stayed for a couple of days before flying back to New York. I thought the flight to Paris was a favor to me on the company’s part. They knew how delighted my family and I would be to see each other when I arrived at the Paris Orly airport in full regalia!! And since it was January, I was wearing the same winter coat that I gave to the Special Collections Library of the University of Miami with long black leather gloves. In warm climates, we would wear short, white gloves instead. The Pan Am uniform was actually quite nice-looking. It consisted of a blue-grey gabardine suit, a short sleeves white blouse underneath, a pillbox hat as was the fashion in the sixties, black high-heeled shoes, and gloves appropriate to the season. We changed once on board the plane. We took off our jacket, hat, white blouse, and put on a smock. We also changed our shoes to low-heeled shoes. To illustrate these looks, I provided some photographs of myself in uniform and also wearing a smock inside the plane to the Special Collections Library at UM.

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In those days undergarments were mandatory. We had to wear a girdle and a full slip… and those could be checked, as well as our weight, before flying time. Our hair style could not touch the collar. We could be reported for any transgression; I remember, for example, being reported for having worn green instead of blue eye shadow on a flight.

Because Pan American Airways needed flight attendants who could speak Spanish for their Boeing 707 flights from San Francisco to Guatemala and Panama, they sent me to be based in San Francisco. I remained on the same route for several months, which was a disappointment to me because it was not my first choice. The flights to the Pacific and the Far East sounded more exciting. When my two roommates commented on their flights to exotic destinations like Tokyo, Bangkok, Singapore, Tahiti, Sydney, I could not help feeling rather envious! Finally, my turn came, and they let me fly all their other routes. Some of the countries I flew to that I remember are Japan, Thailand, Guam, England, Australia, Tahiti, and, of course, Guatemala and the Republic of Panama. We often made stops in Hawaii on our way to the Orient or Anchorage on the way to Japan. The company was so big, I never flew with the same people.

We were allowed to bid for the trips we wanted and according to our seniority we got it or not. We always stayed in the best hotels (such as The Intercontinental, Sheraton, Hilton, or other five star local hotels) and were treated like royalty. It was a dream life.

On my first vacation, in April of 1966, I invited my mother to fly around the world with me. I had kept the Pan Am itinerary papers as a souvenir, and I have given them to the Special Collections Library of the University of Miami recently, along with other papers and memorabilia.

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I had to have a valid visa for every stop the plane made along the way, even if we did not plan on staying there. This was a good precaution as we unexpectedly got loaded off in Beirut. It was a time of turmoil before the war and people were trying to get out. However, we did not regret this unscheduled stop; we were able to visit some interesting places like the ancient city of Byblos, and we ended up buying two beautiful hand-made oriental carpets at the free zone in Beirut! We were able to continue on our way the following day. This free travel was one of the wonderful perks of working as a stewardess for Pan American Airways.

I later became a purser but not for long. I got married in Panama and had to quit flying, but I am still in touch with my Pan Am family as a member of the World Wings Miami Chapter.”

These memories are now immortalized in her collection, the Daniele Desmoulins Perez-Venero papers, housed here in the Special Collections department and can be accessed by anyone who wants to relive the captivating world of Pan Am in the 1960s.



Notes from the Miami Zine Fair

By Jay Sylvestre, Special Collections Librarian

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Zine Fair attendees on the plaza at HistoryMiami

On Saturday, April 30, Special Collections and the UM Gender, Sexuality, and Visual Studies Collective shared a table at the 3rd annual Miami Zine Fair. The Zine Fair, organized by Exile Books and hosted by HistoryMiami, featured 140 tables of zine makers, artists, and poets. The event drew more than 1,500 people who came to purchase and swap zines, chat with their favorite zinesters, or simply learn more about zines.

 

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Special Collections Librarian Jay Sylvestre at the zine table.

Special Collections assembled a zine about zines that we called Zineology #1. With more than 6,000 zines in our collection we knew we couldn’t share details about each one so we decided to approach the collection thematically. Zineology highlighted several of our distinct zine collections along with zine subject areas like music, perzines (short for personal zines), gender and sexuality, science fiction, and Florida zines.

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The UM Gender, Sexuality, and Visual Studies Collective

The initial focus of the zine collection was on Florida or Florizines, but it quickly became clear that just as zines serve to subvert and expand the conversation, we knew we couldn’t limit the collection geographically. Florida zines will always be a particular focus, but the amount of variety in the eclectic world of zines requires that we collect zines about anything and everything from here, there, and everywhere.

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Zine artist and Special Collections Library Assistant David Rodriguez (right) recently donated this zine he presented at Zine Fair to our collection.

We met so many people at the Zine Fair that we ran out of business cards and gave away almost the entire first run of Zineology. We had countless conversations with people about the existence of our collection; many of whom had no idea that UM Special Collections has such an extensive zine collection. Participating in an event like the Zine Fair was the perfect venue to share this information. We lost track of how many new potential researchers we met, but we know that we’ve already been contacted by a few people from the fair about adding their zines to the collection.

If we met you on Saturday at the Zine Fair and you would like to add your zines to the collection please give us a call!

 

 

 

 

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Stop by the Richter Library 8th floor and pick up a copy of Zineology #1 for detailed highlights of the zine collection.



DVD Picks: Sports

by Sean P. Ahearn & Terri Robar, Learning & Research Services

You can tell a real sports fan by their passion. They feel every movement on the court, field, or track as their own. Beyond the excitement of a good game, sports can also be a way of relating to one’s own issues and struggles in life. The following DVDs are “sports stories” exploring many different real-life themes. Of course, the common thread is about having the courage to fight on and keep getting up no matter how many times you get knocked down!

The following films are a part of Richter Library’s DVD collection. In addition to the thousands of DVDs spanning comedy, drama, sci-fi, horror, documentary, and other genres, UM Libraries also houses film-related materials such as screenplays, soundtracks, musical scores, and original book titles. Search the catalog to browse music and print resources related to these films.

The captivating story of the glorious West Indian cricket team who, with a combination of phenomenal skill and fearless spirit, became the longest reigning winning team in sports history.

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A story of two English runners who were both driven by different means to win the Olympics. One used his faith in God, and the other his hatred of anti-Semitism.

Inspired by a true story, this is the inspirational account of a high school basketball coach who received high praise, and staunch criticism, for benching his entire undefeated team due to their poor academic performances.

In a life of constant struggle, Maggie’s gotten herself this far on raw talent, unshakable focus, and a tremendous force of will. But more than anything, she wants someone to believe in her.

A comedy about bending the rules to reach your goal. This film follows two 18-year-olds with their hearts set on a future in professional soccer.

As a 14-year old Roy Hobbs fashioned a bat from an oak tree. Nothing was going to stop him from fulfilling his boyhood dream of baseball stardom.

Bliss Calendar is a small-town teenager with a big dream: to find her own path in the world. Tired of following in her family’s footsteps of compliance and conformity, Bliss discovers a way to put her life on the fast track after landing a spot on a rough-and-tumble roller derby team.

The true story of professional football player Michael Oher. As a homeless teenager from a broken home he was taken in by the Touhys, a well-to-do football family who saw his potential in the sport.

Based on a true story. When a half-blind, ex-prizefighter and mustang breaker team up with a millionaire and his rough-hewn, undersized horse, Seabiscuit, the men find a way to turn a long shot into a legend.

The coach of a third-rate hockey team signs up some rough-and-tough players to help his team win.

Aging pool shark who believes “money won is twice as sweet as money earned,” forms a profitable yet volatile partnership with a young pool hustler.

Nine races. One champion. Formula One drivers compete to be the best in this tale of speed, spectacle, and intertwined personal lives.



Replicating an Ancient Artifact: Exhibit Highlights 3D Printing in Action at the U

As part of the research for a current exhibit at the Lowe Art Museum, Kay Pacha: Reciprocity with the Natural World, curator Dr. Traci Ardren collaborated with Dr. William Pestle, a faculty member in the Department of Anthropology, and anthropology student Adam Sticca to gain insight on how ancient Andean people made and used the art that would help tell the story of their lives 2,000 years ago. By creating a 3D replica of one such piece, an ancient Peruvian whistling vessel, the researchers were able to carry out intensive study of the artifact’s qualities in ways that could not have been done with the fragile original.

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UM researchers used the Digital Media Lab‘s 3D printer to replicate an ancient artifact from the collection of the Lowe Art Museum.

The 3D print, created in Richter Library’s Digital Media Lab through CT scan images they provided to the lab, is now on view on the first floor of Richter Library.

“From an archaeological perspective, 3D printing capabilities allow for more intensive study of an artifact free from any destructive processes which would damage the original piece,” says Adam Sticca, a freshman in the Department of Anthropology. “In this specific case, the printed replica allowed us to more closely examine the complex structure inside the hollow base. The process took a fair amount of trial and error in order to properly print the object as a hollow structure. This printed replica serves as a shining illustration of the capabilities and applications of 3D printing technology now offered at the library.”

Kay Pacha: Reciprocity with the Natural World is on view at the Lowe Art Museum through July 2, 2016. To learn more about 3D printing, including how to use it for your projects, stop by the Digital Media Lab and sign up for a 3D printing consultation.



New Collection Celebrates and Preserves Urban Art in Florida

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A unique collection generously donated by Barbara Young in honor of her late husband, artist and teacher Robert Huff, is now available for research. The Robert Huff Collection includes a vast array of exhibit catalogs dating back from the 1980s to the present. Of interest are the sheer number and variety of exhibits that cropped up all around Miami, showcasing different artists with their own brand and identity that contributed something valuable and new to the art scene.

At the forefront of the collection is one name splayed across many of these exhibit catalogs – Robert Huff himself, a former art professor and chairman at Miami Dade College. His stunning, three-dimensional visual style was celebrated throughout the decades as a welcome presence in Miami as his use of bright colors intersects with architectural designs to create pieces that are unexpectedly harmonious in spite of their disparate elements. Segmenting lines and geometrical shapes present in many of his artworks are where these elements meet and interact to create layered images that paint an urban jungle for its audience to be lured into, inviting them to traverse deeper into the story he tried to tell in each piece.

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These catalogs serve as a celebration of his prominence and success here in Miami and will hopefully evoke the curiosity of future young artists and researchers who wish to delve deeper into his work and those of his contemporaries. We invite you all to come stop by and take a look through the exhibition catalogs to experience the way the urban art movement has shaped Miami’s cultural scene as a whole.

Capturing Florida’s local art scene is one of our key collecting areas here in Special Collections as we feel it has something unique and culturally significant to offer current and future generations. We are striving to document as much of it as possible before historical materials are lost or disappear into the ether (as so many websites do), so materials such as our newly acquired Robert Huff Collection have become crucial to our initiative to preserve Florida’s modern history with the same eclectic flair that we experience in our day-to-day lives living here in this energetic and artistically vibrant city.



Current Exhibition Extended Through July

We just received approval by Dean Charles Eckman to extend our current exhibition “The Pan American University: The Original Spirit of the U Lives On” through July 2016, so that the participants of the RBMS Conference could see it when they visit the Otto G. Richter Library in late June.

FYI, RBMS stands for Rare Books and Manuscripts Section of the Association of College and Research Libraries, which is a division of the American Library Association. This year the group meets in Miami from June 21 to 24 at the Biltmore Hotel for various programs. Please go to the link below for further information about the conference.

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We appreciate very much the opportunity to display University of Miami’s history as well as University Archives’ collections for the attendees of the Conference.