CORAL GABLES, Fla. (January 11, 2017)—The Andrew W. Mellon Foundation has awarded a $500,000 grant to the University of Miami to support collaboration between the Lowe Art Museum and UM Libraries on their joint effort to further faculty engagement with historical and artistic collections.
“This significant investment by the Andrew W. Mellon Foundation is vitally important and recognizes the immense potential of a strong library-museum collection to enhance learning and stimulate innovative and collaborative scholarship,” said UM President Julio Frenk.
The grant will enable the Lowe and the Libraries to establish two new faculty fellowships—one devoted to campus engagement and the other to the conservation of art and archival works on paper. In addition, it establishes a new programming fund to incentivize faculty to engage with University collections and enable the development of joint public programs that highlight these collections.
“We could not be more thrilled to have received this remarkable gift, and we are deeply grateful to the Andrew W. Mellon Foundation for their generosity,” said Jill Deupi, Beaux Arts director and chief curator of the Lowe. “This transformative grant speaks to the value of higher education, the arts, and the humanities, generally. It equally affirms the power of collaboration and impact of leveraging resources for the benefit of a broad range of audiences.”
Charles Eckman, dean of the University of Miami Libraries, said the partnership was envisioned through the inaugural Academic Art Museum and Library Summit, held in January 2016, which brought together 14 pairs of library and museum directors from North American academic institutions to address opportunities for deep intra-institutional collaboration. “Through the support of the Mellon Foundation, the Lowe and Libraries will be able to work with faculty to carry out our vision for new curricular, interdisciplinary, and collaborative engagement and shared collection stewardship opportunities while providing invaluable experience to emerging professionals in the field,” Eckman said.
Trailblazing students, who are being honored this month by UM, look back at the early days of desegregation. Continue reading »
This pop-up exhibition is a platform for exploring identity through art and the written word.
The ID Project opened on October 27 at the Lowe Art Museum as a pop-up exhibition and experimental space that encourages visitors to reflect on and explore notions of identity. The exhibition encompasses a display of identity-centric artists’ books and zines for purchase and browsing, with a focus on questions such as: Who am I? Who are you? Who are we?
The ID Project is the result of a unique partnership with the Lowe, co-curated and co-created by Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe; Cristina Favretto, Head of Special Collections at University of Miami Libraries; and Amanda Keeley, Founder of EXILE Books, and occupies the space of the Lowe’s former Store.
During the opening on October 27, guests engaged in a variety of activities to “curate their identities,” including:
• Making and decorating a 3D paper mask with different materials
• Using mirrors to study their reflection and draw their self-portrait
• Creating and sharing a 10-line bio-poem with friends, other guests, or….just for them
• Using a special app to develop their own personal musical beat on an iPad
• Placing color beads in vessels to express reactions to six selected artworks in the Lowe
• Writing Class Radio, who was on hand to facilitate writing true stories about personal identity
On view through April 2017, The ID Project will be accompanied by a series of “identity salons” that invite visitors to tackle this fundamental concept from a wide range of angles, including gender, sex, culture, race, age, and socio-economic status. In addition, special programs will address the theme of identity, and complement the Lowe’s dynamic exhibitions currently on view, all of which speak to the notion of identity and Walt Whitman’s truism: “We contain multitudes.” The schedule of salons and programs will be announced.
“Identity shapes our lives, both independent and collective,” says Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe. The ID Project provides an exciting platform for expressing ideas about how we define ourselves and how we see others, and serves as a flexible viewing and making space for education, enrichment, and enjoyment,” she adds.
The ID Project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the State of Florida.
By Koichi Tasa, University Archivist
Even when I was a newly hired University Archivist in fall 2007, I knew the name Ray Bellamy, his face, and his historical importance for the University as the first black athlete (1967) and the first black president of the student government (1971) from Dr. Charlton Tebeau’s 1976 publication The University of Miami: A Golden Anniversary History, 1926-1976.
So, the staff of the University Archives were thrilled to meet the legendary alumnus during his recent visit to Miami in the last week of September. He first visited the current UM Libraries exhibition Miami Celebrates: The Orange Bowl Festival, 1930s-1990s, then came up to the 8th floor to review our materials on him as well as our historical collections of black students and faculty.
He talked to us about his experience when at the University in the midst of the racial integration struggle in Miami.
You can find out a lot about Mr. Bellamy’s accomplishments on the Internet and YouTube as well as in numerous articles and publications of the University. I would like to show you a compelling documentary I found on YouTube titled Changing the Game: a Deep South Conflict, a Compromise of Attitudes, which was created by David and Matt Mariutto (see below). I think this is not only a great piece on Mr. Bellamy but also a powerful teaching material on diversity.
Mr. Bellamy was brought to us by Ms. Denise Mincey-Mills, who is one of the co-chairs of the Alumni Association’s program “First Black Graduates Project,” which celebrates the first black graduates of the University of Miami in the 1960s and the 1970s. Please go to the link below for further information about the program, which takes place on February 24 and 25, 2017.
Included in the program is a visit to the Otto G. Richter Library to view an exhibition “U Trailblazers – Black Students and Faculty Who Broke Color Barrier in the 1960s and the 1970s” (*tentative title) curated by the University Archives for the Black History Month as well as a reception offered by Richter and a lecture by UM’s history professor Dr. Donald Spivey.
(Courtesy of Hurricanesports.com / Release: 2/04/2013)
University of Miami Trustee Alfred Camner, his wife, Anne Camner, and their four children, all of whom are UM alumni, have made a donation to the University of rare and valuable scores composed by musical giants—from Beethoven to Gershwin—that were printed and bound during the composers’ lives.
Alfred, J.D. ’69, and Anne, J.D. ’72, along with children Danielle Camner Lindholm J.D. ’95, Errin Camner L.L.M. ’99, Lauren Camner Winter M.B.A. ’98, and Andrew Camner B.A. ’09, donated several hundred scores, collectively forming the Camner Family Music Collection, to the Marta and Austin Weeks Music Library and Technology Center at the Frost School of Music, where it will be available to UM students, researchers, and the public.
“It is our family’s desire that this collection of first and early printed music editions form the true start to creating an extraordinary musicological resource, unmatched by modern editions,” said Alfred Camner, who, with his wife, also endowed UM’s Camner Center for Academic Resources.
The collection features historical works spanning three centuries and with origins in many parts of the world. Collection materials include rare lithography-printed and leather-bound editions of Christoph Willibald Gluck’s Alceste (1767), Georges Bizet’s Carmen (1875), and Igor Stravinsky’s The Rite of Spring (1913), among many others published between the 18th and 20th centuries.
Shelton Berg, dean of the Frost School, calls the gift a “transformative” resource for members of the Frost School and beyond. “When we look at a recently published score of a musical work from 100 years ago or more, we are seeing the music as something ‘from the past,’” Berg says. “Conversely, when a student performer or researcher examines an original edition score, with the marginal notations, the music is suddenly ‘in the present.’ They are experiencing it in the time of its creation. It’s hard to describe the exhilaration that produces.”
The Camner Collection arrives as the University is preparing to carry out new initiatives supporting educational innovation and encouraging new pedagogical approaches in the classroom. Frank Cooper, research professor emeritus at the Frost School, says this timing is important. “In an age where electronic media have taken over, there are no research materials to compare to original objects, in this case, printed scores from the times of the composers themselves. How invaluable for researchers today and for many generations to come.”
In details such as marginal notations, Camner says, the collection reveals how scores were studied and used in practice, in concerts, and in opera houses through time. Additionally, notes may point to how the music has evolved. “There is no substitute for the feeling a scholar or music student gets from handling a score that might have been used by Beethoven or Verdi or Puccini or Stravinsky, scores published in their lifetimes, edited by them, and often later corrected or changed,” Camner says. “These first and early editions are the closest we get to a sense of the time and place and world of the composer, a time when the composers often depended on the sales of these scores for their livelihoods.”
Nancy Zavac, who heads the Weeks Music Library, says that the Camner Collection brings a new level of research prestige to the library, which houses a wide range of musicology resources, including modern books, journals, and recordings, as well as unique and distinctive materials. “All music librarians are eager to have treasures in their collections. The Camner Collection is such a thing. It is exciting for me and my staff to care for, and greatly enhances our holdings.”
Dean of Libraries Charles Eckman expressed deep gratitude to the Camner Family for donating this important collection. “Miami is notable for the presence of several individual collectors of rare and unique cultural and bibliographic treasures,” he said. “The Camner Family is to be commended for their appreciation of the scholarly and teaching value of this private collection, and we celebrate their generosity of spirit in enabling the exposure and application this collection will have at the University of Miami for current and future generations of researchers and students.”
Prepare to soar through iconic 20th-century history.
University of Miami Special Collections is gearing up for a project to put over 100,000 items in the Pan Am archive online thanks to a digitization grant from the National Historical Publications and Records Commission (NHPRC).
In May the NHPRC announced the grant, one of five awarded nationwide, for Special Collections to digitize the items in the Pan American World Airways, Inc. Records collection. The archival collection—one of the University of Miami’s most popular and extensive—houses historical Pan Am brochures, newsletters, periodicals, annual reports, timetables, and many other records documenting the iconic company’s 60-plus years of operation.
“This is an opportunity to provide unprecedented access to Pan Am’s history, operations, and business culture,” says Sarah Shreeves, UM Libraries Associate Dean for Digital Strategies. “We thank the NHPRC for helping us make this extensive series available for researchers at any time of day and from anywhere in the world.”
The 1.5-year project, which begins in October, will include the digitization of 60 boxes of printed materials and publications (known as the “printed materials series”) spanning from 1930 to 1991, which is almost the entire lifetime of the company, and covering all of the geographic areas serviced by the airline.
The digitization efforts build on a previous NHPRC-funded project completed in 2014 to organize the collection in its entirety—all 1,500 boxes of administrative, legal, financial, technical, and promotional materials as well as internal publications, photographs, audiovisual material, and graphic material. Online tools for researching the collection are available on the mini-website Cleared to Land.
“The project will continue our efforts to maximize the impact of the collection as a research resource,” says Beatrice Skokan, Manuscripts Librarian at Special Collections, who worked with head of Digital Production and principal investigator Laura Capell to secure the grant.
Once the printed series is digitized, the archive will be fully text searchable and available to the public free of charge.
By Koichi Tasa, University Archivist
I am currently working for the first time to archive a collection of electronic records with my colleague Laura Capell, Head of Digital Production and Electronic Archivist. The commemorable organization of focus is UM’s undergraduate LBGTQ+ group SpectrUM. We will archive messages and e-flyers documenting their organizational efforts in support of UM’s lesbian, bisexual, gay, transgender, queer, and questioning community.
The collection was inspired by President Frenk’s December 2015 message on campus initiatives for inclusiveness towards LGBTQ+ students. I contacted SpectrUM to join their mailing list and have continued to save electronic records for the use of future students and researchers. We will make a decision shortly on how to provide access to the collection. For the time being, you can find more information on the collection in the finding aid.
Working on this collection made me wonder about earlier gay and lesbian organizations at the University. Some historical information is available in The Miami Hurricane Archive Online. There I found an article from 1985 titled “Gay Student Seeks to Inform” by Sal O’Neill. O’Neill, who was a senior at that time, wrote about an earlier group called The Gay Alliance, formed in the early-to-mid 1970s. “The Alliance had weekly rap sessions in the Alliance’s office in the Student Union. They also sponsored regular dances at the Rathskeller which were open to the public,” he writes, also noting significant challenges– “fears of exposure and violence, and the apathy that any group must contend with”–that brought about its demise. In the 1980s, students could connect in an off-campus group called the Gay and Lesbian Youth Group, which offered “emotional support and social interaction to gay men and lesbians not available elsewhere up to the age of 25.”
This was before SpectrUM, which was organized in 1992 (under the name Gay, Lesbian and Bisexual Club). Its purpose is to foster pride through education, awareness, advocacy, and social events and to support all members of the LGBTQ+ community and their allies. It’s remarkable to see how far this mission has come, and we look forward to the opportunity of sharing its continuation with future students and researchers.
Stay tuned for announcements about future archival efforts. In an upcoming project in February 2017 we will work with groups such as the Black Alumni Society and United Black Students to curate a full exhibition at Richter Library on UM’s black students and faculty. The exhibition will coincide with the Black Alumni Society’s First Black Graduates Project. We look forward to collaborating with these and other campus organizations to honor their accomplishments.
For the past year, UM’s nine libraries have been collaborating on a merger and migration to a new library management platform and catalog/discovery tool in order to streamline access to the University’s millions of library holdings. The new catalog, known as uSearch, went live May 19, uniting three separate catalogs from across the Coral Gables, Miller School of Medicine, and Rosenstiel campuses.
The library-wide effort was first announced to the University community in February. “Faculty and students on all campuses will be very pleased to discover that, with one search, resources from across the University’s libraries will be displayed on their screen,” said Professor of Law Sally Wise, chair of the Faculty Senate Library & Information Resources Committee and director of the Law Library.
Library users can explore uSearch from an interdisciplinary access point or focus their searches through the uSearch portals of Medical and Law libraries, which have been customized with additional search settings specific to those subject areas.
What does this mean for library users?
- One catalog: All resources from Law, Medical (Calder, Ophthalmology, and UMH Libraries), Interdisciplinary (Richter), and the subject specialty libraries (Architecture, Business, Marine & Atmospheric Science, and Music) will be available in one catalog.
- One search: Users will now be able to search all locally digitized/created resources from a single search field. This search includes digitized content from our distinctive collections, institutional repositories, and UM electronic theses and dissertations.
- One login: Users will have a single means of authentication for most library resources (CaneID).*
Additionally users can look forward to enhanced communications on borrowed materials, including courtesy notices in advance of an item’s due date and loan and check-in receipts.
What do users get by logging in to the system?
While anyone may browse the catalog as a guest, signing in to the system provides users with access to a suite of services that includes:
- the ability to request and/or place a hold on library materials
- customize search preferences
- save customized searches
- save articles and catalog entries
- add notes
- create folders
- export information to bibliographic software
- receive alerts when new items are added that fit one’s search parameters, topics of interest, etc.
NOTE: Due to publisher licensing restrictions, results from some databases (e.g., Web of Science) only display if users are logged in.
Find search tips and guidance on the use of specific uSearch features for interdisciplinary, Medical, and Law libraries:
Feedback and questions
We welcome your feedback and are grateful for your patience during this implementation process.
*Interlibrary Loan services of the Law and Medical libraries will remain independently operated by their respective departments.