Goizueta Fellows: In Their Own Words

Throughout the 2016-2017 academic year the Cuban Heritage Collection is welcoming ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.
Our sixth fellow of the series, Samuel Finesurrey, will discuss his work in a CHC Research Colloquium on Wednesday, November 2, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Samuel Finesurrey

Goizueta Fellow Samuel Finesurrey

Goizueta Fellow Samuel Finesurrey is pursuing his Ph.D. at the University of North Carolina at Chapel Hill.

New Jersey native Samuel Finesurrey has always loved history. He attended University of Wisconsin as an undergrad and previously worked as a high school teaching Intern in New York City.

What university/program are you from?

I’m a Ph.D. student at the University of North Carolina at Chapel Hill.

What are you working on?

My dissertation is on Cuba’s Anglo-American Colony during the 1950s.

What do you expect to find at CHC?

The CHC is home to wonderful collections of Anglo-American-run cultural institutions, Anglo-American-managed corporations, and donations from members of the Anglo-American community.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on November 2, 3 p.m., at the Roberto C. Goizueta Pavilion. You can contact me at finesurrey@gmail.com.

*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.



DVD Picks: Funny Halloween Movies

by Terri Robar, Learning & Research Services

Some people like to watch scary movies at Halloween, but some of us like to laugh. So here’s a list of movies that have plenty of spooks and monsters but are unlikely to give you nightmares.

The following films are a part of Richter Library’s DVD collection. In addition to the thousands of DVDs spanning comedy, drama, sci-fi, horror, documentary, and other genres, UM Libraries also houses film-related materials such as screenplays, soundtracks, musical scores, and original book titles. Search the catalog to browse music and print resources related to these films.

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In a world that has become overrun with zombies, two men must figure out how to survive. Wimpy Columbus is afraid of his own shadow, while Tallahassee is the biggest, baddest, gun-toting zombie-slayer who ever lived. When they meet two sisters, Wichita and Little Rock, the four strike out for an amusement park that is said to be zombie-free. This mismatched group will have to rely on each other to survive, which could be worse than surrendering to the zombies.

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When three college professors lose their jobs, they decide to go into the freelance “paranormal investigation and elimination” business. When ghosts go on a rampage, only these men can save the world. Soon every spook in the city is loose and our heroes face the supreme challenge. Who you gonna call? GHOSTBUSTERS!

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David and Jack are two American youths who just want to see a bit of Europe. A trek across the moors of northern England leads to an attack by a werewolf. Jack is killed, but returns as an undead corpse to warn David that he, too, will morph into a werewolf when the full moon rises.

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The story of Jack Skellington, the pumpkin king, who decides to bring the magic of Christmas back to Halloween Town.

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When flesh eating zombies go on the hunt for a bite to eat, it is up to Shaun and his best pal to save their friends and family from becoming the next entree.

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A boy inadvertently breaks three important rules concerning his new pet and unleashes a horde of malevolently mischievous monsters on a small town.

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A couple of likable ghosts contact the afterlife’s bio-exorcist to rid their home of a trendy New York family that moves in.

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Earth is invaded by Martians with unbeatable weapons and a cruel sense of humor.

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And one more time: Following a ghost invasion of Manhattan, four women band together to stop the otherworldly threat.

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Summoned by a will to his late grandfather’s castle in Transylvania, young Dr. Frankenstein soon discovers the scientist’s step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchbacked Igor and the curvaceous Inga, he creates a monster who only wants to be loved.

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Sidelined after their spectacular save of New York City five years ago, the heroes of the hereafter once again answer the call when an underground river of ghoulish goo threatens to rot the Big Apple to the core.

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Natives of a small isolated town defend themselves against strange underground creatures which are killing them one by one.



Camner Family Donates Rare Musical Treasures

University of Miami Trustee Alfred Camner, his wife, Anne Camner, and their four children, all of whom are UM alumni, have made a donation to the University of rare and valuable scores composed by musical giants—from Beethoven to Gershwin—that were printed and bound during the composers’ lives.

Alfred, J.D. ’69, and Anne, J.D. ’72, along with children Danielle Camner Lindholm J.D. ’95, Errin Camner L.L.M. ’99, Lauren Camner Winter M.B.A. ’98, and Andrew Camner B.A. ’09, donated several hundred scores, collectively forming the Camner Family Music Collection, to the Marta and Austin Weeks Music Library and Technology Center at the Frost School of Music, where it will be available to UM students, researchers, and the public.

“It is our family’s desire that this collection of first and early printed music editions form the true start to creating an extraordinary musicological resource, unmatched by modern editions,” said Alfred Camner, who, with his wife, also endowed UM’s Camner Center for Academic Resources.

The collection features historical works spanning three centuries and with origins in many parts of the world. Collection materials include rare lithography-printed and leather-bound editions of Christoph Willibald Gluck’s Alceste (1767), Georges Bizet’s Carmen (1875), and Igor Stravinsky’s The Rite of Spring (1913), among many others published between the 18th and 20th centuries.

Shelton Berg, dean of the Frost School, calls the gift a “transformative” resource for members of the Frost School and beyond. “When we look at a recently published score of a musical work from 100 years ago or more, we are seeing the music as something ‘from the past,’” Berg says. “Conversely, when a student performer or researcher examines an original edition score, with the marginal notations, the music is suddenly ‘in the present.’ They are experiencing it in the time of its creation. It’s hard to describe the exhilaration that produces.”

The Camner Collection arrives as the University is preparing to carry out new initiatives supporting educational innovation and encouraging new pedagogical approaches in the classroom. Frank Cooper, research professor emeritus at the Frost School, says this timing is important. “In an age where electronic media have taken over, there are no research materials to compare to original objects, in this case, printed scores from the times of the composers themselves. How invaluable for researchers today and for many generations to come.”

In details such as marginal notations, Camner says, the collection reveals how scores were studied and used in practice, in concerts, and in opera houses through time. Additionally, notes may point to how the music has evolved. “There is no substitute for the feeling a scholar or music student gets from handling a score that might have been used by Beethoven or Verdi or Puccini or Stravinsky, scores published in their lifetimes, edited by them, and often later corrected or changed,” Camner says. “These first and early editions are the closest we get to a sense of the time and place and world of the composer, a time when the composers often depended on the sales of these scores for their livelihoods.”

Nancy Zavac, who heads the Weeks Music Library, says that the Camner Collection brings a new level of research prestige to the library, which houses a wide range of musicology resources, including modern books, journals, and recordings, as well as unique and distinctive materials. “All music librarians are eager to have treasures in their collections. The Camner Collection is such a thing. It is exciting for me and my staff to care for, and greatly enhances our holdings.”

Dean of Libraries Charles Eckman expressed deep gratitude to the Camner Family for donating this important collection. “Miami is notable for the presence of several individual collectors of rare and unique cultural and bibliographic treasures,” he said. “The Camner Family is to be commended for their appreciation of the scholarly and teaching value of this private collection, and we celebrate their generosity of spirit in enabling the exposure and application this collection will have at the University of Miami for current and future generations of researchers and students.”



Pop Culture Post: TV Elections

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By Ellen Davies, UGrow Fellow, and Jay Sylvestre, Special Collections Librarian

With the 2016 Presidential election less than a month away, it will soon be time for another State of the Union address in January 2017. As portrayed in the show Designated Survivor you may know that one member of the President’s cabinet is selected to spend the address in an undisclosed location to guard against a catastrophic loss of the Executive and Legislative bodies of government. In the show Tom Kirkman, Secretary of Housing and Urban Development, played by Kiefer Sutherland, is that member of the Cabinet chosen to spend the State of the Union in an undisclosed bunker. After an explosion kills the President, Vice President, Speaker of the House, President Pro Tempore of the Senate, and many other cabinet Secretaries, Kirkman becomes President.

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George McGovern on election night in Roger Smith Hotel in Washington, D.C., 1972. Photograph by Michael Carlebach. University of Miami Special Collections.

The United States Constitution specifies that the Vice President succeeds the President, but makes no mention of further succession. Two amendments clarify the role of Vice Presidential succession, while the rest of the line is governed by laws passed by Congress. Cabinet-level succession is determined by the founding date of each department. For example, the State Department founded as the Department of Foreign Affairs was the first federal agency created under the Constitution. It was approved by Congressional legislation on July 21, 1789, making its Secretary the first of the Cabinet positions. The Department of Transportation, number 14 in line, was founded in 1967.

Of course, before a line of succession can exist, a President must be elected. Elections and campaigning have been fertile ground for Hollywood to explore. Satire, political thrillers, and outright comedy go hand in hand with movies about elections and often overlap with each other.

One of the most popular comedic explorations of political campaigns, and the moments of joy and frustration they can bring, is portrayed in Parks and Recreation. The series stars comedian Amy Poehler as Leslie Knope, a deputy director of the Parks and Recreation Department in small-town Pawnee, Indiana, and is known for her unwavering positivity, admiration (and borderline obsession) for powerful female politicians like Hillary Clinton and Margaret Thatcher, and undying belief in local government’s potential to have a positive impact on people’s everyday lives. When she decides to run for city council, however, she quickly learns she must overcome the influence of gender bias as well as overall skepticism of government in order to effect any change in the small town. One idea that receives major pushback for instance is on combatting childhood obesity, a major health issue in Pawnee, where the existing city council has just decided to sell the space allocated for a new park to a fast food chain called “Paunch Burger.”

Other popular TV shows like House of Cards, Scandal, and Veep work to pull back the curtain on political campaigns and presidential elections, giving an inside look at Washington through the use of story lines tied to current events and allusions to American politics and politicians that blur the line between satire and reality. These shows mix all the things that aren’t supposed to be discussed in polite conversation: money, sex, and politics, and allow us to binge on them in the privacy of our own living rooms.

Family standing outside of the White House, 1970s. Photograph by Michael Carlebach. University of Miami Special Collections.

In the first season of Netflix’s wildly popular series House of Cards, Frank and Claire Underwood’s marriage reeks of the early Clinton years. Southerner Frank Underwood, played by Kevin Spacey, is a Democratic Majority Whip in the U.S. House of Representatives who has aspirations of becoming President. Together he and his wife Claire Underwood, played by Robin Wright, are an unstoppable political duo ready to take on Washington and gain political power at all costs. Claire is the definition of a true “ride-or-die” and the pair have more of a business-like partnership than a romantic relationship, both more than willing to accept the other’s morally questionable actions and keep quiet about extra-marital affairs for the greater good of their own political careers. As the series evolves it ultimately becomes clear that while Frank is the public front man, Claire, like many first ladies and wives of politicians, is the tail that wags the dog.

Meanwhile it may be worth noting that Robin Wright, who plays Claire, recently made headlines for revealing that she earned less money than co-star Kevin Spacey in the first two seasons of the series and was only able to negotiate equal pay with Netflix after threatening to go public with the wage gap.

UM Libraries houses several books, movies, and television series related to political elections:

Election-Themed Resources

Movies

Being There

Dave

The Contender

Television Series

John Adams

The West Wing

Books

The Manchurian Candidate

Too Close to Call

1920: The Year of Six Presidents

How to Win an Election: An Ancient Guide for Modern Politicians

Miami and the Siege of Chicago: An Informal History of the Republican and Democratic Conventions of 1968



“Pink Powder” Exhibition Now On View

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Silueta Works in Iowa, Ana Mendieta, 1976, on view at Richter Library. The photograph is part of Mendieta’s series depicting her silhouettes created from the earth over time.

September 20 – November 1, 2016
Otto G. Richter Library, 2nd floor

Featuring works by Tracey Emin, Naomi Fisher, Sam Taylor-Johnson, Ana Mendieta, and Susanne Winterling

Pink Powder, an exhibition of renowned works owned by the de la Cruz Collection is now on view at Richter Library. The exhibition brings together a group of artists whose work addresses the female form and identity.

Imagery varying from the quiet and ponderous, to the raw and rebellious, subvert the traditional role of the female muse within the canons of art history, literature, and popular culture.

From the “earth-body” work of Cuban-American artist, Ana Mendieta, to the drawings of female bodies as plants by Miami artist, Naomi Fisher; and from the confessional work of British artists, Tracey Emin and Sam Taylor-Johnson, to the autobiographical work of Berlin-based artist, Susanne Winterling; the artists in this exhibition address the female body with an unapologetic intensity and encourage a conversation on the healing power of the visual arts.

This exhibition is organized by the de la Cruz Collection in collaboration with the the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music on the occasion of Breast Cancer Awareness Month, October 2016.

 



Pink Powder: Commemorating Breast Cancer Awareness Month

Pink Powder, an exhibit of renowned works from the de la Cruz Collection, is now on display at the Richter Library.

On the eve of Breast Cancer Awareness Month coming up in October, Dr. Felicia Marie Knaul, director of the University of Miami Institute for the Americas, has a message for the many women around the world who have been confronted with the devastating disease.

A breast cancer survivor, Knaul spoke alongside her husband, UM President Julio Frenk, on Tuesday evening about stigmas that surround cancer, specifically in treatment, and the need to empower those who are facing it, at the opening of Pink Powder, an exhibition on view at the Otto G. Richter Library.

“The beauty of women is not specific to our exterior,” Knaul said during a reception held in the Roberto C. Goizueta Pavilion, her words echoing a unifying message in a series of works owned by the de la Cruz Collection and brought to UM through a collaboration of the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music.

Knaul was inspired to initiate the installment in part from her own experience in battling breast cancer, which she was diagnosed with in 2007.

“One of the biggest obstacles in being able to detect and treat women’s cancers, particularly breast cancer, is this tremendous fear of what it will do to our bodies. We are afraid of abandonment. We are afraid of disfigurement,” she said at the event.

The exhibition includes works in various forms related to the female body and identity, from the “earth-body” work of Cuban-American pioneer performance artist Ana Mendieta to the drawings of female bodies as plants by Miami native Naomi Fisher, and from the confessional work of British artist Tracy Emin to the autobiographical video of Berlin-based artist Susanne Winterling.

Pink Powder is a group of artists that are trying to address the woman’s body, through a woman’s form,” said Rosa de la Cruz, co-founder of the de la Cruz Collection. “And here you have artists from Ana Mendieta, the performing artist, to the work of Tracy Emin, which is totally autobiographical, and you see how these women are encouraging us to have a conversation on the healing power of the visual arts.”

President Julio Frenk said the exhibition reflects an aspect of work at the University and within the University of Miami Institute for the Americas related to the diagnosis and treatment of breast cancer. “Breast cancer affects people of all socioeconomic groups and all countries of the world. There’s the emotional connection to the system, that is actually life threatening if it is not treated correctly,” Frenk said. “The arts are a vehicle to derive meaning from the human experience. And that’s why this exhibit is so powerful.”

On view in the library through the month of October, the exhibition is an initiative of the University’s Galleries, Libraries, and Museums (GLAM) sector, which supports collaboration between libraries and museums as rich repositories of ideas, objects, and insights into how we think, who we are, and the stories we tell. “We are proud to host this powerful series of works by female artists,” said Chuck Eckman, dean of the University of Miami Libraries.

The event closed with a performance on keyboard by Justina Shandler, a graduate student and songwriter in the Frost School, inspired by a family friend’s battle with cancer. From Shandler’s Easy to Be Afraid:

Pick up your head, pick up your pencil
Get out of bed, get in the light 
Pick up some bread and you can break it with a friend 
Pick up your friend and hold her tight
Pick up all the stardust you can find in your life



DVD Picks: Banned Books Week

by Terri Robar, Learning & Research Services

This week, from September 25 to October 1, the UM Libraries have been celebrating Banned Books Week. It is a celebration of the triumph of our freedom of expression. The movies on this list are all based on books that we are featuring in our displays in the Richter Library. The captions for each movie include the information on when and where the book was banned or challenged.

The following films are a part of Richter Library’s DVD collection. In addition to the thousands of DVDs spanning comedy, drama, sci-fi, horror, documentary, and other genres, UM Libraries also houses film-related materials such as screenplays, soundtracks, musical scores, and original book titles. Search the catalog to browse music and print resources related to these films.

The book was burned in Alamagordo, New Mexico, in 2001 for being “satanic.” In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him and, though he sought it throughout Middle-earth, still it remained lost to him. After many ages, it fell, by chance, into the hands of the Hobbit, Bilbo Baggins.

The book was banned in public schools in Chicago, Illinois, in 2013. In 1970s Iran, Marjane “Marji” Satrapi watches events through her young eyes and her idealistic family. Their long-held dream is realized when the hated Shah is defeated in the Iranian Revolution of 1979. Now ruled by Islamic fundamentalists, Marji grows up to witness first-hand how the new Iran has become a repressive tyranny on its own.

The book was challenged in middle schools in Goffstown, New Hampshire, in 2011. In the post-apocalyptic nation of Panem, Katniss Everdeen volunteers to take her sister’s place in the televised event in which one boy and one girl from each of the twelve districts are chosen to fight to the death until one victor remains.

The book was banned in high school classrooms in Raceland, Louisiana, in 2008. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare.

The book was challenged in schools in Morganton, North Carolina, in 2008. An uneducated woman living in the rural American south who was raped by her father, deprived of the children she bore him, and forced to marry a brutal man she calls “Mister,” is transformed by the friendship of two remarkable women, acquiring self-worth and the strength to forgive.

The book was challenged in middle schools in Brentwood, Tennessee, in 2006. The setting is a dusty Southern town during the Depression. A white woman accuses a black man of rape. Though he is obviously innocent, the outcome of his trial is such a foregone conclusion that no lawyer will step forward to defend him–except the town’s most distinguished citizen.

The book series holds the record for being the most frequently challenged title in the U.S. for the decade of 2000-2009. Rescued from the outrageous neglect of his aunt and uncle, a young boy with a great destiny proves his worth while attending Hogwarts School of Witchcraft and Wizardry.

The book was banned in high schools in Nampa, Idaho, in 2012. After Tita is forced to make the cake for the wedding of the man she loves and her own sister, the guests are overcome with sadness. Tita has discovered she can do strange things with her cooking.

The book was challenged in public schools in Olathe, Kansas, in 2007. In the Great Depression, George and Lennie, two displaced migrant ranch workers, dream of the autonomy of owning and operating their own ranch someday.

The book was challenged in high schools in Orono, Maine, in 2006. The fascinating true story of a young woman’s life-altering stay at a famous psychiatric hospital in the late 1960s.

The book was banned in high schools in Coventry, Rhode Island, in 2000. Billy Pilgrim has become unstuck in time. An otherwise typical soldier in WWII, without warning, he jumps back and forth in his life with no control over where he is going next.

The book was challenged in public schools in Lubbock, Texas, in 2008. In a parallel world where witches soar the skies and Ice Bears rule the frozen North, one special girl is destined to hold the fate of the universe in her hands.





New Exhibit Explores Gender and Social Justice in Vintage Board Games

By Yvette Yurubi, Reference Assistant, Special Collections

Long before video games came along, board games dominated as a common pastime for adults and kids. With their 2-D platforms, simple narratives, and easy, straightforward objectives, they were a hit among friends, during parties and family gatherings. So what can we learn today from this historic national pastime?

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What Shall I Be? The Exciting Game of Career Girls (1966), players vie to be first in becoming a “career girl.”

After Special Collections recently acquired a series of vintage board games, UGrow Fellow Ellen Davies created a display highlighting what games can tell us about social issues and attitudes in mainstream culture. Without the many bells and whistles virtually transporting players to worlds beyond, these games used more simple tactics to entertain, meanwhile reflecting the ideals of the time. In games from the 1960s and 1970s, we are transported to a time when even the concept of equality, regardless of gender or race, was still making its way into many parts of society.

What Shall I Be? The Exciting Game of Career Girls, for instance, is a game where players must roll the dice, move around the board, and collect career, personality, and subject cards in order to obtain their “dream job.” The game only offers to women six very limiting jobs to choose from: model, airline hostess, ballet dancer, actress, teacher, and nurse. Notably absent are many STEM-based jobs aside from nursing, jobs in the military, and hard-labor jobs, and the game comes equipped with set-backs where a modeling career is out of a player’s reach due to them being overweight or being unattractive. It presents a singular view in which women are highly valued for their looks and behavior rather than their education, intellect, and abilities.

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Male career options highlighted in What Shall I Be? The Exciting Career Game for Boys.

It’s notable that the boy’s version of the game does also offer careers that would be considered traditional for men alongside an array of educational possibilities: law school – statesman; graduate school – scientist; college – athlete; medical school – doctor; technical school – engineer; and flight school – astronaut. However, the absence of careers like steward, model, or dancer also shows a limited perception where men aren’t granted much freedom to pursue anything that doesn’t fall within long-stemming societal views of masculinity.

While these games might be taken at face value, it’s also possible that the creators wanted to use them to make social commentary by highlighting the blatant lack of equality. Woman & Man: The Classic Confrontation furthers this idea by encouraging players to take on the role of the opposite gender and experience “life” through their lenses. The goal of the game is to gather 100 status quo points, though those who choose to play as women can only start with a range of 5-40 points and a position as an assistant while those who play as men, start the game with 36-60 points and a managerial position. The lack of gender equality is exhibited from the onset, illustrating the harder struggle women have had to endure to even stand on an even playing field with men.

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Woman & Man: The Classic Confrontation (1970s) encourages players to experience life through the lens of the opposite sex.

In the wake of growing awareness of social issues and the expanding and rapidly evolving concepts of gender and sexuality, these games seem laughably outdated and politically incorrect. However, aside from their novelty, they do provide an opportunity to open up a dialogue about how casual sexism and restricted gender roles once dominated the social consciousness of the past and how they continue to be an issue today that everyone is struggling to transform and reinvent so that future generations do not have to be so confined in what role they feel they should have to fulfill in order to be accepted into society. We eagerly invite you all to venture to the 8th floor and join us with your friends to share in the experience of these vintage games which are now on exhibit.



Libraries Receives Grant to Digitize Pan Am Archive

Prepare to soar through iconic 20th-century history.

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Pan American World Airways Bermuda Clipper, a Sikorsky S-42 flying boat, as it arrives in Bermuda, 1937.

University of Miami Special Collections is gearing up for a project to put over 100,000 items in the Pan Am archive online thanks to a digitization grant from the National Historical Publications and Records Commission (NHPRC).

In May the NHPRC announced the grant, one of five awarded nationwide, for Special Collections to digitize the items in the Pan American World Airways, Inc. Records collection. The archival collection—one of the University of Miami’s most popular and extensive—houses historical Pan Am brochures, newsletters, periodicals, annual reports, timetables, and many other records documenting the iconic company’s 60-plus years of operation.

“This is an opportunity to provide unprecedented access to Pan Am’s history, operations, and business culture,” says Sarah Shreeves, UM Libraries Associate Dean for Digital Strategies. “We thank the NHPRC for helping us make this extensive series available for researchers at any time of day and from anywhere in the world.”

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The Pacific by Clipper, 1947.

The 1.5-year project, which begins in October, will include the digitization of 60 boxes of printed materials and publications (known as the “printed materials series”) spanning from 1930 to 1991, which is almost the entire lifetime of the company, and covering all of the geographic areas serviced by the airline.

The digitization efforts build on a previous NHPRC-funded project completed in 2014 to organize the collection in its entirety—all 1,500 boxes of administrative, legal, financial, technical, and promotional materials as well as internal publications, photographs, audiovisual material, and graphic material. Online tools for researching the collection are available on the mini-website Cleared to Land.

“The project will continue our efforts to maximize the impact of the collection as a research resource,” says Beatrice Skokan, Manuscripts Librarian at Special Collections, who worked with head of Digital Production and principal investigator Laura Capell to secure the grant.

Once the printed series is digitized, the archive will be fully text searchable and available to the public free of charge.