Looking for Quiet Study Space?

24-7_banner2-quiet_1194x328The Richter Library is open 24/7 prior to and during exams, from November 30 to December 14. Additionally, UML provides access to study space during the day and evenings in its libraries across the Coral Gables and Rosenstiel campuses. Visit each library’s page for hours and additional information.

CORAL GABLES CAMPUS

Richter Library
1300 Memorial Drive
Coral Gables FL 33146

  • Main floors and stacks (floors 4-7 and 9) open 24/7 from November 30 –
    December 14
  • The 3rd Floor Conference Room and Information Literacy Lab from November 30 – December 14, 5 p.m. to 7 a.m. and all day throughout the weekend
  • Special Collections (8th floor) and Cuban Heritage Collection (2nd floor) on weekdays from 9 a.m. to 4 p.m.

Paul Buisson Architecture Library
223 Dickinson Drive
Coral Gables FL 33146

Judi Prokop Newman Information Resource Center
School of Business Administration, University of Miami
Coral Gables, Florida 33146

Marta and Austin Weeks Music Library
5501 San Amaro Drive
Coral Gables, FL 33146

MARINE/ROSENSTIEL CAMPUS

Rosenstiel School of Marine and Atmospheric Science Library
4600 Rickenbacker Causeway
Miami, FL 33149

We hope that our around-the-clock library access will provide the flexibility in spaces and services you need to conquer exams.



“Pink Powder” Exhibition Extended through January 2017

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Silueta Works in Iowa, Ana Mendieta, 1976, on view at Richter Library. The photograph is part of Mendieta’s series depicting her silhouettes created from the earth over time.

Otto G. Richter Library, 2nd floor

Featuring works by Tracey Emin, Naomi Fisher, Sam Taylor-Johnson, Ana Mendieta, and Susanne Winterling

Pink Powder, an exhibition of renowned works owned by the de la Cruz Collection is now on view at Richter Library through January 2017. The exhibition brings together a group of artists whose work addresses the female form and identity.

Imagery varying from the quiet and ponderous, to the raw and rebellious, subvert the traditional role of the female muse within the canons of art history, literature, and popular culture.

From the “earth-body” work of Cuban-American artist, Ana Mendieta, to the drawings of female bodies as plants by Miami artist, Naomi Fisher; and from the confessional work of British artists, Tracey Emin and Sam Taylor-Johnson, to the autobiographical work of Berlin-based artist, Susanne Winterling; the artists in this exhibition address the female body with an unapologetic intensity and encourage a conversation on the healing power of the visual arts.

This exhibition is organized by the de la Cruz Collection in collaboration with the the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music on the occasion of Breast Cancer Awareness Month, October 2016.

 



2017-2018 Goizueta Foundation Graduate Fellowships

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Call for Applications

The University of Miami Cuban Heritage Collection (CHC) is calling for applications for the 2017-2018 Goizueta Foundation Graduate Research Fellowships in support of individual research by graduate students and scholars who wish to use the research resources available in the CHC. The goal of the Goizueta Foundation Graduate Fellowships is to engage emerging scholars with the materials available in the CHC and thus contribute to the larger body of scholarship in Cuban, American, Latin@, hemispheric, and international studies.

Information about the fellowships, eligibility requirements, and application process is available online at library.miami.edu/chc/fellows. The deadline for applications, which should be submitted electronically on Interfolio, is Wednesday, February 1, 2017.

Questions about the fellowships program or application instructions should be directed to chc@miami.edu.

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Award Categories

All recipients must be in residence during the course of the fellowship and may not hold concurrent teaching positions.

Graduate Pre-Prospectus Summer Fellowships

Pre-Prospectus Summer Fellowships will allow doctoral students to determine how the CHC may serve their research needs as they prepare the dissertation prospectus. These are exploratory fellowships to determine if research resources in the CHC will support a dissertation. Fellowships of $1,500 will be granted for one month in residence between June 1 and August 31 of 2017.

Graduate Research Fellowships

Research Fellowships will support doctoral students who wish to use the CHC as a primary resource for a dissertation. Doctoral students applying for these fellowships will have completed their course work and passed their qualifying examinations. Fellowships of $3,000 per month will be granted for periods of one to three months



Join Us for International Games Day

intlgamesday2016-fbeventcover_784x295_v1Join us in celebrating International Games Day, an initiative of the American Library Association. Presented in collaboration with UM’s Department of Cinema & Interactive Media and UM Video Games Club, we’ll have board games, video games, student-created and locally produced games, vintage games, and more. Come learn new games, play your favorites, and share your skills! Learn more »



Presenting the StoryCorps-Warmamas Community Archive

By Patricia Sowers, Director of Warmamas

storycorps-blog_logoThe Afghanistan-Iraq war is described as our country’s longest war. From 2001 to 2014, over 2.5 million men and women were deployed, most of them to war zones. Multiple deployments were not uncommon. Most of those deployed said goodbye to a mother.

Saying goodbye to a son or daughter leaving for war has never been easy. It matters little if it is a first or last deployment—a mother’s anguish is the same. I, too, had to say goodbye to my own son when he announced that he was being sent to the Middle East in a diplomatic capacity. For six years, I lived in secret fear. Eventually I realized that my own feelings of foreboding were dwarfed by what mothers with children in direct combat were experiencing. Their voices were rarely heard and yet were an essential part of our ongoing national narrative on the gravitas of war. There was a need for a place where these women could share their experiences. Warmamas was created out of this need.

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Patricia Sowers (center), Director of Warmamas, converses with StoryCorps-Warmamas oral history donors at Special Collections.

None of us were prepared for the kinds of stories we heard. They were beautiful, they were painful, they were inspiring. Some were tragic. They all told a story of strength. There was a story about a mother who takes to bed for three days when her son tells her he has joined the Marines; the mother who sends her second son off to war but refuses to let her third one go; the mother who talks about developing patience when there is no letter for months; the school-teacher whose son returns with a traumatic brain injury (TBI) and yet shows a determination to get well that she never expected; the mother talking by phone to her son in Afghanistan and suddenly hearing a bomb explode as his camp is attacked; another mother determined to fly to Kabul when she hears her son is injured; the mother who called an admiral at the Pentagon to complain that her son hadn’t written for six months; the mother who doesn’t cry as her daughter leaves for Iraq so as not to upset her. There are many stories about post-traumatic stress disorder (PTSD) and how one mother has struggled with her son’s suicide by creating a foundation to help other at-risk veterans.

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An oral history interview is conducted at Special Collections for the StoryCorps-Warmamas Community Archive. Photo courtesy of Patricia Sowers.

Many mothers expressed surprise that anyone would be remotely interested in their experiences. They have come to understand, however, that their stories have value and are part of the larger story of war and peace and that perhaps one day a stranger or even a grandchild would want to listen.

Warmamas is a nonprofit 501(c)(3) founded in Coral Gables by Gail Ruiz, local artist and attorney, Philip Busey, UF agronomist and political activist and myself, an English teacher at Miami Dade College and hand-wringing mother. Warmamas began by filming, documenting and publishing mothers’ stories and later partnered with the University of Miami and StoryCorps in 2014 and 2015 as part of the Military Voices Initiative which focused on veterans and their families. The veteran narratives are stored at the Library of Congress, Washington, DC and are also—along with the Warmamas’ mother interviews—part of UM Special Collections’ StoryCorps-Warmamas Community Archive.

We are presently interviewing mothers of veterans of all wars. Most interviews are videotaped in the mother’s home. Audio recordings of veterans of any war can be done at the veteran’s home or at the studio in Richter Library.

For more information, please contact:

Patricia Figueroa Sowers, Director
Warmamas
Email: pfsowers@bellsouth.net
Phone: 305-461-5193

You can also watch her full oral history interview here.



Curate Your Own Identity at the ID Project

 

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This pop-up exhibition is a platform for exploring identity through art and the written word.

The ID Project opened on October 27 at the Lowe Art Museum as a pop-up exhibition and experimental space that encourages visitors to reflect on and explore notions of identity. The exhibition encompasses a display of identity-centric artists’ books and zines for purchase and browsing, with a focus on questions such as: Who am I? Who are you? Who are we?

The ID Project is the result of a unique partnership with the Lowe, co-curated and co-created by Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe; Cristina Favretto, Head of Special Collections at University of Miami Libraries; and Amanda Keeley, Founder of EXILE Books, and occupies the space of the Lowe’s former Store.

During the opening on October 27, guests engaged in a variety of activities to “curate their identities,” including:
• Making and decorating a 3D paper mask with different materials
• Using mirrors to study their reflection and draw their self-portrait
• Creating and sharing a 10-line bio-poem with friends, other guests, or….just for them
• Using a special app to develop their own personal musical beat on an iPad
• Placing color beads in vessels to express reactions to six selected artworks in the Lowe
Writing Class Radio, who was on hand to facilitate writing true stories about personal identity

On view through April 2017, The ID Project will be accompanied by a series of “identity salons” that invite visitors to tackle this fundamental concept from a wide range of angles, including gender, sex, culture, race, age, and socio-economic status. In addition, special programs will address the theme of identity, and complement the Lowe’s dynamic exhibitions currently on view, all of which speak to the notion of identity and Walt Whitman’s truism: “We contain multitudes.” The schedule of salons and programs will be announced.

“Identity shapes our lives, both independent and collective,” says Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe. The ID Project provides an exciting platform for expressing ideas about how we define ourselves and how we see others, and serves as a flexible viewing and making space for education, enrichment, and enjoyment,” she adds.

The ID Project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the State of Florida.



Join Us for GIS Day

The University of Miami Libraries and Department of Geography will present a series of workshops and discussions on November 16 demonstrating the real-world applications of geographic information systems (GIS). Sessions will take place at the Otto G. Richter Library from 8 a.m. to 5 p.m. and are free and open to the public. Learn more »





New Directions Conference Explores Cuban Heritage Collection Treasures

By Bárbara Gutiérrez, UM News

Lydia Cabrera was the Margaret Mead of Cuba. The Havana-born, Paris-educated anthropologist and literary figure was an authority on Santería and other Afro-Cuban religions, earning the trust and respect of its practitioners.

Cabrera, who died in Miami in 1991, left a precious treasure trove to the University of Miami Libraries’ Cuban Heritage Collection that served as the centerpiece for the first discussion at the New Directions in Cuban Studies Conference held October 20 and 21 at the Donna E. Shalala Center.

The conference, sponsored by the CHC and the Miami Institute for the Americas (MIA), highlighted the works of top academics, many of whom have used the CHC for research.

In its second rendition, New Directions featured 21 scholars who presented their research papers on topics ranging from “Making Ends Meet: Women’s Small-Scale, Home based Informal Employment in Post-Soviet Cuba” to “The Symbolic Century XIX in Cuban Literature after 1959.”

“We are thrilled to have the opportunity to host this event and showcase the work of emerging scholars in Cuban studies,” said Dean of Libraries Charles Eckman in his welcoming remarks. “This event represents our essential mission as a library, that of supporting education and personal development through research, collaboration, and inspiring discussion.”

Felicia Knaul, director of MIA, also welcomed the audience, saying that she found the CHC to be a space that “evokes leadership and thought around key issues.” She added that the University and MIA have a “commitment to identify ways that through academia, learning and policy discussions ways can be found that lead to peace, to knowledge and better access for the many in our world to economic development here and in the future.”

During the first panel, three scholars presented “The Ontology of Lydia Cabrera’s Archive: Sexuality and the Spirit” by delving into how the noted ethnographer explored and developed images of queer, feminist, and non-traditional roles in her writings about Santeria, the African religion brought over to Cuba by African slaves.

Sarah Piña, a doctoral candidate at University of Houston who studied the Lydia Cabrera Papers as a Goizueta fellow at CHC, said that although Cabrera never openly revealed her identity as a feminist or a lesbian, she was drawn to issues of the marginalized of Cuba society, such as blacks and queer elements within the Santeria religion, a religion that gave access to the LGBTQ communities.

There was ample evidence of this in her books, including the seminal El Monte and Yemayá y Ochun, said Piña. Cabrera also kept many notebooks on the role of women Santeras.

Cabrera also seemed to have a great identification with Yemayá, the mother goddess, who was said to protect homosexuals, Piña explained. In Cabrera’s personal papers, documents, diaries, and even recipe cards, she often wrote the name of the deity in the margins. She also often used the name jicotea (turtle), even signing letters to friends with the name Jicotea Lydia. The jicotea is one of very few animals who have an androgynous nature, said Piña.

Martin Tsang, a Council on Library and Information Resources (CLIR) Postdoctoral Fellow at the University of Miami Libraries, offered a bold take on the Afro-Cuban orisha, or deity, Inle, considered both a wise medical healer and a protector of the queer.

In the Santeria religion, Inle is associated with the Catholic saint San Rafael, whose feast falls on October 24. Tsang pointed out that Cabrera wrote in El Monte about a group of lesbian santeras who had Inle as their patron deity. On his feast day, they would burn a straw fish (one of his symbols) in his honor and sell “tortillas de San Rafael” on the streets around Havana’s La Loma del Angel neighborhood. Tsang believes that the term tortillera, commonly used by Cubans to describe lesbians, may have stemmed from that practice.

The two-day conference, last held in 2014, was attended by about 300 people and concluded with a special event at HistoryMiami Museum. Dean Eckman noted that financial support for the conference came in large part from the 1-year-old Goizueta Graduate Research Fellows Program.