A traveling exhibit of 26 colorful and intricate climate-focused art quilts by 22 Florida artists, “Piecing Together a Changing Planet,” survived wildfires and a hurricane to open on Wednesday evening at the Otto G. Richter Library at the University of Miami. Continue reading »
Book Collecting 101: How to Start Your Own Fabulous Special Collection
Thursday, March 2
7 – 9 p.m.
Discussion starts at 7:30 p.m.
Lowe Art Museum
1301 Stanford Drive | Coral Gables, FL 33146
The urge to collect things—books, maps, paintings, swizzle sticks, match boxes—has been with us through the ages and cuts across many boundaries.
Join Cristina Favretto, head of Special Collections at the University of Miami Libraries, who has worked with collections and collectors for almost thirty years, for an illuminating discussion on the joys of creating a great, fun, and inspiring book collection (without necessarily spending a lot of money!).
This event is part of the ongoing ID Project at the Lowe Art Museum. Learn more about the project »
Cost: $12.50 admission to Lowe After Hours; complimentary for Lowe members
Parking is available at the Pavia Garage near Stanford Drive. Learn more about parking »
Trailblazing students, who are being honored this month by UM, look back at the early days of desegregation. Continue reading »
This pop-up exhibition is a platform for exploring identity through art and the written word.
The ID Project opened on October 27 at the Lowe Art Museum as a pop-up exhibition and experimental space that encourages visitors to reflect on and explore notions of identity. The exhibition encompasses a display of identity-centric artists’ books and zines for purchase and browsing, with a focus on questions such as: Who am I? Who are you? Who are we?
The ID Project is the result of a unique partnership with the Lowe, co-curated and co-created by Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe; Cristina Favretto, Head of Special Collections at University of Miami Libraries; and Amanda Keeley, Founder of EXILE Books, and occupies the space of the Lowe’s former Store.
During the opening on October 27, guests engaged in a variety of activities to “curate their identities,” including:
• Making and decorating a 3D paper mask with different materials
• Using mirrors to study their reflection and draw their self-portrait
• Creating and sharing a 10-line bio-poem with friends, other guests, or….just for them
• Using a special app to develop their own personal musical beat on an iPad
• Placing color beads in vessels to express reactions to six selected artworks in the Lowe
• Writing Class Radio, who was on hand to facilitate writing true stories about personal identity
On view through April 2017, The ID Project will be accompanied by a series of “identity salons” that invite visitors to tackle this fundamental concept from a wide range of angles, including gender, sex, culture, race, age, and socio-economic status. In addition, special programs will address the theme of identity, and complement the Lowe’s dynamic exhibitions currently on view, all of which speak to the notion of identity and Walt Whitman’s truism: “We contain multitudes.” The schedule of salons and programs will be announced.
“Identity shapes our lives, both independent and collective,” says Jill Deupi, Beaux Arts Director and Chief Curator of the Lowe. The ID Project provides an exciting platform for expressing ideas about how we define ourselves and how we see others, and serves as a flexible viewing and making space for education, enrichment, and enjoyment,” she adds.
The ID Project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the State of Florida.
September 20 – November 1, 2016
Otto G. Richter Library, 2nd floor
Featuring works by Tracey Emin, Naomi Fisher, Sam Taylor-Johnson, Ana Mendieta, and Susanne Winterling
Pink Powder, an exhibition of renowned works owned by the de la Cruz Collection is now on view at Richter Library. The exhibition brings together a group of artists whose work addresses the female form and identity.
Imagery varying from the quiet and ponderous, to the raw and rebellious, subvert the traditional role of the female muse within the canons of art history, literature, and popular culture.
From the “earth-body” work of Cuban-American artist, Ana Mendieta, to the drawings of female bodies as plants by Miami artist, Naomi Fisher; and from the confessional work of British artists, Tracey Emin and Sam Taylor-Johnson, to the autobiographical work of Berlin-based artist, Susanne Winterling; the artists in this exhibition address the female body with an unapologetic intensity and encourage a conversation on the healing power of the visual arts.
This exhibition is organized by the de la Cruz Collection in collaboration with the the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music on the occasion of Breast Cancer Awareness Month, October 2016.
by Sarah Block, Library Communications
For many ’Cane fans, Miami Orange Bowl nostalgia comes with the territory of football season. But this year is special—marking ten years since the team kicked off their final season at the original home field. With the help of the archives, two UM undergraduate students have been gearing up for the anniversary.
Over the course of ten months, Andrew Wodrich, ’17, and Francesca Ciuffo, ’19, conducted research using the rarely seen records of the Orange Bowl Committee held by the University of Miami Special Collections. Their efforts have culminated in the first public display of the organization’s papers, titled Miami Celebrates: The Orange Bowl Festival, 1930s-1990s.
Now on view on the first floor of the Otto G. Richter Library, the exhibition features original photographs, letters, and memorabilia, among other materials, donated to the University in 2012, highlighting six decades of Orange Bowl Festival events and many memorable moments at the iconic stadium.
The students co-curated the exhibition under the mentorship of UM librarians as part of the new Library Research Scholars Program, which promotes student engagement with the University of Miami Libraries’ research collections and service programs.
“I was really interested in researching Coral Gables and Miami history, and that led me to the work of the Orange Bowl Committee,” explains Wodrich, a neuroscience and history major from Michigan. “Immediately I became fascinated by the story of people, so many decades ago, working together to create something out of nothing.”
Wodrich and Ciuffo’s discoveries actually date back to even before the founding of the Orange Bowl Festival (which continues today as the Capital One Orange Bowl). One featured poster advertises the precursor bowl known as the Festival of Palms, held on New Year’s Day, 1932. The Hurricanes faced Manhattan College at downtown Miami’s Moore Park, winning 7-0. “It was an idea to attract tourists for the holidays, which the city desperately needed, economically speaking,” Wodrich says.
That game, they explain, set the stage for the Orange Bowl—its annual match-ups as well as the surrounding festivities. Burdine Stadium, later named the Miami Orange Bowl (and today’s site of Marlins Park) opened in 1937, just five years following the Palm Festival. But the elaborate pageantry, flamboyant parades, and slough of events now iconic to the Orange Bowl brand spread out far beyond the stadium walls.
The parade is a prominent exhibition highlight, with large-scale illustrations of original float designs over its walls showing off a substantial creative investment matched by a variety of corporate sponsorships, from Busch Gardens to Eastern Airlines, Barnett Bank, and Coppertone. “It was a major undertaking. Earnie Seiler, today considered the ‘father of the Orange Bowl,’ selected the participants and established the lineup,” Ciuffo explains.
“The festival just took over the city,” says Ciuffo, a public relations and broadcast journalism major from New York. “People from all over the country and world were suddenly coming in droves for the attractions. There were tennis tournaments at Flamingo and Salvadore Parks, a regatta that started at the Pelican Harbor Marina, and of course there was the parade, which was held on Biscayne Boulevard.”
The final parade, held in 2001, capped off a 66-year tradition that still shines in the legacy of Seiler, who as City of Miami’s director is remembered as a creative and technical driving force in all areas of the festival. “He was a local football coach who just through persistence got this thing off the ground,” Wodrich says. “Originally he was out there on the street just waving down cars to get people to fill the stands.”
The exhibition additionally highlights some of the original members of the Orange Bowl Committee, including UM trustees Oscar E. Dooly and Arthur A. Unger, which Wodrich points out as a meaningful connection. “There is a strong UM tie throughout the history of the Orange Bowl that we really wanted to come through.”
Miami Celebrates: The Orange Bowl Festival, 1930s-1990s is on view through December 2016. The exhibition is sponsored by the Lynda and Michael Gordon Exhibition Program.
Photos by Brittney Bomnin.
- Learn more about the Library Research Scholars Program »
As part of the research for a current exhibit at the Lowe Art Museum, Kay Pacha: Reciprocity with the Natural World, curator Dr. Traci Ardren collaborated with Dr. William Pestle, a faculty member in the Department of Anthropology, and anthropology student Adam Sticca to gain insight on how ancient Andean people made and used the art that would help tell the story of their lives 2,000 years ago. By creating a 3D replica of one such piece, an ancient Peruvian whistling vessel, the researchers were able to carry out intensive study of the artifact’s qualities in ways that could not have been done with the fragile original.
The 3D print, created in Richter Library’s Digital Media Lab through CT scan images they provided to the lab, is now on view on the first floor of Richter Library.
“From an archaeological perspective, 3D printing capabilities allow for more intensive study of an artifact free from any destructive processes which would damage the original piece,” says Adam Sticca, a freshman in the Department of Anthropology. “In this specific case, the printed replica allowed us to more closely examine the complex structure inside the hollow base. The process took a fair amount of trial and error in order to properly print the object as a hollow structure. This printed replica serves as a shining illustration of the capabilities and applications of 3D printing technology now offered at the library.”
Kay Pacha: Reciprocity with the Natural World is on view at the Lowe Art Museum through July 2, 2016. To learn more about 3D printing, including how to use it for your projects, stop by the Digital Media Lab and sign up for a 3D printing consultation.
By David Colbus, Senior in the College of Arts and Sciences
Student Assistant, University Archives
Throughout last fall, the University Archives worked to curate and install the Pan American University: The Original Spirit of the U Lives On exhibit on Richter Library’s first floor. This was the first exhibit I encountered as a new University Archives assistant. To introduce me to the Archives’ work and purpose, my supervisor Marcia Heath gave me a tour of the recently completed display. The exhibit celebrates Pan Americanism, the University’s 90 years of history, and the new president, Dr. Julio Frenk. Beyond teaching me about my new role in the Archives, this exhibit educated me on the University’s history, and how that history informs the institution it is today.
The exhibit tells us that “Before there were University of Miami students or faculty, defined programs, or even a single building, the enduring concept of UM as the Pan American University had taken form.” Congressman William Jennings Bryan dreamed up this concept, one George Merrick and other founding members of the University strongly shared. Merrick envisioned a “university of our own tropical America…to supply that definite unfilled need of a cultural contact by university facilities with all of Latin America.” This Pan American University would invite cultural and academic exchange across all the Americas. This ideal informed the University’s earliest programs, research focuses, and even the University’s original architectural design. Victor and Rafael Belaúnde were specifically recruited to teach Latin American history and economics, and their establishment of the University’s Hispanic American Studies and Hispanic American Institute set the stage for many of today’s Hispanic-focused programs. The University of Miami also maintained close academic contact with the University of Havana through its early years to facilitate the academic exchange that Pan Americanism called for.
University Archivist Koichi Tasa came up with the vision for the exhibit and served as its chief curator, culling records from the Office of the President Records as well as visual materials from the UM Historical Photograph Collection and UM Campus Architecture Collection, among others from the University Archives. “It’s a great occasion to showcase our collections and knowledge about UM’s history,” Tasa said.
Archives specialist Marcia Heath worked with Tasa in research for the exhibit, and supervised the Archives’ assistants in their tasks. “We have an opportunity to start and frame important discussions about history, culture, and diversity in our community,” Heath said. “This resource encourages students to broaden their horizons.”
The exhibit was a collaborative effort within the UM Libraries and beyond: Beatrice Skokan and Yvette Yurubi from the Special Collections department and Meiyolet Mendez from the Cuban Heritage Collection researched and provided materials on topics such as the founding of Coral Gables and friendship between UM and the University of Havana. The Library Communications team provided editorial and promotional assistance for the exhibition. They also worked with local artist and UM alum Alex Vahan (Cushy Gigs Creative) in the creation of an eye-catching photographic collage surrounding the exhibition space.
Archives’ student assistants Jodiann Heron, Davin Stencil, Cody Andreoni, Sabrina Anand, and I located and researched materials for the exhibit. “What I really like is learning so much about the University. Every single day you learn something different,” Heron said. When I looked through the display cases, I remember being amazed by the complexity and importance of the exhibit. Yes, the exhibit focuses on the cornerstone idea of Pan Americanism and the University of Miami’s close ties to Latin America, following through the University’s creation and history, as well as into the modern day. However, it also locates one of the University’s greatest strengths, our diversity, within that original idea of Pan Americanism. It shows how the University’s devotion to broader understandings of cultural acceptance, of diversity, of peace and equality, stem from this one idea.
This exhibit represents the University Archives in capacity and purpose, and represents its role they could play for the future. Looking forward to 2026, the University will be celebrating its 100th anniversary. The University Archives will play an integral role of this celebration, showing the growth and evolution of our University from the ideals that it was founded upon. I hope that all of the University of Miami, every department and office, helps us in this endeavor. “If anyone in the University wants to celebrate their anniversary, the Archives are here to work with them,” Tasa said. When the centennial celebrations arrive, everyone at this university, everyone who has contributed to its achievements and shaped its reputation, deserve to be celebrated as a part of that history, so that their efforts and accomplishments are remembered, and their spirit and ideals are passed on for those to come.
The exhibition “The Pan American University: The Original Spirit of the U Lives On” is on view on the first floor of Otto G. Richter Library through May 2016.
Charles D. Eckman
Dean and University Librarian
Dean of the School of Architecture
cordially invite you to a reception to celebrate the opening of the exhibition
Hometown Maps: Where in the World Do Architects Come From?
Tuesday, October 6, at 4 p.m.
Otto G. Richter Library Reading Room, 1st Floor
1300 Memorial Drive | Coral Gables, FL 33146
This event is sponsored by University of Miami Libraries and the School of Architecture. Free and open to the public.
Since 1997 students at the School of Architecture have commenced their program studies in architecture and urban design by researching and analyzing the distinctive characteristics of the places they are most familiar with—their own hometowns. Using resources from the University of Miami Libraries, such as historical and contemporary maps, GIS tools, and Internet resources, students incorporate architectural, historical, environmental and geological details to create graphic layouts of their hometown. Please join us to view the exhibition of hometown maps by former and current students and celebrate the diverse and far-reaching talents of the University of Miami and its School of Architecture. The exhibition will feature an interactive digital map of the world that has been specially created by UML librarians and School of Architecture faculty, allowing one to further experience the imaginative ways in which students have interpreted the places around the world they call home.
Contact us at 305-284-4026 or firstname.lastname@example.org with questions about directions and parking.
An exhibition highlighting the island’s vibrant flora and fauna and their historical depictions, from iconic botanical illustrations to stunning wildlife publications to the beautifully colored specimens of the polymita picta, Cuba’s native tree snail. A series of historical photos, books, and other materials preserved by the Cuban Heritage Collection are now on display through Fall 2015 at the Roberto C. Goizueta Pavilion at the Otto G. Richter Library.