“Pink Powder” Exhibition Now On View

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Silueta Works in Iowa, Ana Mendieta, 1976, on view at Richter Library. The photograph is part of Mendieta’s series depicting her silhouettes created from the earth over time.

September 20 – November 1, 2016
Otto G. Richter Library, 2nd floor

Featuring works by Tracey Emin, Naomi Fisher, Sam Taylor-Johnson, Ana Mendieta, and Susanne Winterling

Pink Powder, an exhibition of renowned works owned by the de la Cruz Collection is now on view at Richter Library. The exhibition brings together a group of artists whose work addresses the female form and identity.

Imagery varying from the quiet and ponderous, to the raw and rebellious, subvert the traditional role of the female muse within the canons of art history, literature, and popular culture.

From the “earth-body” work of Cuban-American artist, Ana Mendieta, to the drawings of female bodies as plants by Miami artist, Naomi Fisher; and from the confessional work of British artists, Tracey Emin and Sam Taylor-Johnson, to the autobiographical work of Berlin-based artist, Susanne Winterling; the artists in this exhibition address the female body with an unapologetic intensity and encourage a conversation on the healing power of the visual arts.

This exhibition is organized by the de la Cruz Collection in collaboration with the the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music on the occasion of Breast Cancer Awareness Month, October 2016.

 



UM Libraries Events: Fall 2016

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Mark your calendar for a series of stimulating book talks, discussions, and presentations coming up at UM Libraries. 

Stay on top of the Libraries’ latest news, resources, and services. Receive electronic invitations to special events, talks and presentations, exhibitions, workshops, and more.



Student Co-Curated Exhibition Explores Orange Bowl Festival History

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Design for a Busch Gardens Orange Bowl Parade entry, 1970. Orange Bowl Committee Archives, University of Miami Special Collections.

by Sarah Block, Library Communications

For many ’Cane fans, Miami Orange Bowl nostalgia comes with the territory of football season. But this year is special—marking ten years since the team kicked off their final season at the original home field. With the help of the archives, two UM undergraduate students have been gearing up for the anniversary.

Over the course of ten months, Andrew Wodrich, ’17, and Francesca Ciuffo, ’19, conducted research using the rarely seen records of the Orange Bowl Committee held by the University of Miami Special Collections. Their efforts have culminated in the first public display of the organization’s papers, titled Miami Celebrates: The Orange Bowl Festival, 1930s-1990s.

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Miami Celebrates: The Orange Bowl Festival, 1930s-1990s marks the first public display of the Orange Bowl Committee Papers.

Now on view on the first floor of the Otto G. Richter Library, the exhibition features original photographs, letters, and memorabilia, among other materials, donated to the University in 2012, highlighting six decades of Orange Bowl Festival events and many memorable moments at the iconic stadium.

The students co-curated the exhibition under the mentorship of UM librarians as part of the new Library Research Scholars Program, which promotes student engagement with the University of Miami Libraries’ research collections and service programs.

Aerial view of the Miami Orange Bowl, 1964. From the University of Miami Historical Photograph Collection, University Archives.

Aerial view of the Miami Orange Bowl, 1964. From the University of Miami Historical Photograph Collection, University Archives.

“I was really interested in researching Coral Gables and Miami history, and that led me to the work of the Orange Bowl Committee,” explains Wodrich, a neuroscience and history major from Michigan. “Immediately I became fascinated by the story of people, so many decades ago, working together to create something out of nothing.”

Wodrich and Ciuffo’s discoveries actually date back to even before the founding of the Orange Bowl Festival (which continues today as the Capital One Orange Bowl). One featured poster advertises the precursor bowl known as the Festival of Palms, held on New Year’s Day, 1932. The Hurricanes faced Manhattan College at downtown Miami’s Moore Park, winning 7-0. “It was an idea to attract tourists for the holidays, which the city desperately needed, economically speaking,” Wodrich says.

That game, they explain, set the stage for the Orange Bowl—its annual match-ups as well as the surrounding festivities. Burdine Stadium, later named the Miami Orange Bowl (and today’s site of Marlins Park) opened in 1937, just five years following the Palm Festival. But the elaborate pageantry, flamboyant parades, and slough of events now iconic to the Orange Bowl brand spread out far beyond the stadium walls.

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Francesca Ciuffo, who co-curated the exhibition as a freshman, discusses her work at an April reception celebrating the inaugural class of Library Research Scholars.

The parade is a prominent exhibition highlight, with large-scale illustrations of original float designs over its walls showing off a substantial creative investment matched by a variety of corporate sponsorships, from Busch Gardens to Eastern Airlines, Barnett Bank, and Coppertone. “It was a major undertaking. Earnie Seiler, today considered the ‘father of the Orange Bowl,’ selected the participants and established the lineup,” Ciuffo explains.

“The festival just took over the city,” says Ciuffo, a public relations and broadcast journalism major from New York. “People from all over the country and world were suddenly coming in droves for the attractions. There were tennis tournaments at Flamingo and Salvadore Parks, a regatta that started at the Pelican Harbor Marina, and of course there was the parade, which was held on Biscayne Boulevard.”

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“There is a strong UM tie throughout the history of the Orange Bowl that we really wanted to come through,” says exhibition co-curator Andrew Wodrich, ’17.

The final parade, held in 2001, capped off a 66-year tradition that still shines in the legacy of Seiler, who as City of Miami’s director is remembered as a creative and technical driving force in all areas of the festival. “He was a local football coach who just through persistence got this thing off the ground,” Wodrich says. “Originally he was out there on the street just waving down cars to get people to fill the stands.”

The exhibition additionally highlights some of the original members of the Orange Bowl Committee, including UM trustees Oscar E. Dooly and Arthur A. Unger, which Wodrich points out as a meaningful connection. “There is a strong UM tie throughout the history of the Orange Bowl that we really wanted to come through.”

Miami Celebrates: The Orange Bowl Festival, 1930s-1990s is on view through December 2016. The exhibition is sponsored by the Lynda and Michael Gordon Exhibition Program.

Photos by Brittney Bomnin.



UM Libraries Celebrates South Florida’s Caribbean Voices

By Sarah Block

Click the image to view all interviews online.

In his work as a corporate attorney Marlon Hill represents artists and creatives in the South Florida area seeking to build a brand. Outside of the courtroom, however, Hill is an advocate for those who are grappling with issues of identity as individuals in a new land and culture.

“I feel very strongly about helping any student who is going through a process of acclimation, assimilation, and integration,” he explains in his oral history interview at the University of Miami Special Collections as part of its new Caribbean Diaspora Oral History Project. “The success of that person and that person’s family is dependent on how those three areas of immigration are. They can make or break a family.”

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Artist Edouard Duval Carrie shared his story at Special Collections in the Caribbean Diaspora Oral History Project. Highlights from each of the oral history interviews are available on Twitter, Facebook, and Instagram.

Hill, a Miami resident originally from Jamaica, said his own struggles in the immigration process as a teenager fueled a desire for mentoring new immigrants, as early as his college years. Today he joins a growing list of South Florida community members of Caribbean origin who are telling their stories in the series sponsored by the Florida Division of Cultural Affairs.

So far, more than 20 individuals, including photojournalist Carl Juste, TV Producer/host Elizabeth Guérin, and artist Edouard Duval Carrie have taken part in the series, which spans topics surrounding their various experiences and contributions to the South Florida community in such areas as art and media, education, entrepreneurship, and activism.

“Our interviewees are individuals who are actively involved in a creative blending of their immigration experience with their lives in the United States,” said Special Collections’ Manuscripts Librarian Beatrice Skokan, who led the project, at a July 13 celebration of the series that recognized its first group of participants.

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UM Libraries Manuscripts Librarian Beatrice Skokan thanks donors during the reception.

Skokan describes the series as an important initiative for Special Collections and its Caribbean Archive, which houses rare maps, books, and correspondence as well as materials that document modern life and families of the Caribbean basin. “The South Florida region, with its multiplicity of migrations, has become an ideal setting for the historical documentation of hemispheric encounters,” Skokan says. “This is about documenting the experience of people who inhabited Caribbean regions from their point of view—unedited by another’s gaze and interpretation.”

Many of the department’s most rare and historical Caribbean materials, dating back to the 1700s, were donated by some of UM’s earliest supporters, underscoring one of the region’s and the University’s enduring strengths. At his January inauguration, President Julio Frenk described a “hemispheric” aspiration as one of four defining visions for the future of the University.

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Oral history donors Marlon Hill (second from right) and Elizabeth Guérin (right) with guests at Special Collections’ Caribbean Voices reception.

The ongoing series is now accessible to students, scholars, and the general public for research on a variety of topics related to South Florida’s Caribbean diaspora. It currently features individuals of Haitian, Dominican, Bahamian, Venezuelan, Cuban, and Colombian origins, among others, with the intent of continued growth as new funding becomes available.

Interviews, which were conducted by Julio Estorino and Lucrèce Louisdhon-Louinis along with Skokan, are accessible from UM Libraries’ website. Additional oral history projects of UM Libraries include the Haitian Diaspora Oral Histories; the Cuban Heritage Collection’s Luis J. Botifoll Oral History Project and Human Rights Oral History Project; and collaborations with National Public Radio’s StoryCorps, including StoryCorps Historias and StoryCorps Military Voices Initiative (carried out with the nonprofit Warmamas), which is currently in process.

Current participants of the Caribbean Diaspora Oral History Project include:

Elizabeth Baez, Artist/Educator

Firelei Báez, Artist

Ronald Bilbao, Legislative Specialist

Lucy Canzoneri-Golden, Artist/Educator

Tiberio Castellanos, Journalist

Edouard Duval Carrié, Artist

Elizabeth Guérin, TV Producer/Host

Roberto Guzmán, Linguist/Writer

Marlon Hill, Attorney

Carl Juste, Photojournalist

Fr. Alejandro López, Priest

Gepsie Metellus, Community Leader

Francisco Portillo, Immigration Activist

María Rodriguez, Activist

Ruby Romero-Issaev, Producer/Marketing Director

Nora Sandigo, Immigration Activist

Althea “Vicki” Silvera, Archivist

Patricia Sowers, Nonprofit Director

Nixon St. Hubert (DJ Nickymix), DJ/Producer

Federico Uribe, Artist

Dr. Freddie G. Young, Educator/Community Leader

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council of Arts, and the State of Florida. If you are interested in learning more about this collection, or to recommend someone for this project, please call 305-284-3247.

Event photos by Mitchell Zachs.



New Project to Archive Efforts of UM’s LGBTQ+ Student Organization

By Koichi Tasa, University Archivist

tasa_headshot_largeI am currently working for the first time to archive a collection of electronic records with my colleague Laura Capell, Head of Digital Production and Electronic Archivist. The commemorable organization of focus is UM’s undergraduate LBGTQ+ group SpectrUM. We will archive messages and e-flyers documenting their organizational efforts in support of UM’s lesbian, bisexual, gay, transgender, queer, and questioning community.

The collection was inspired by President Frenk’s December 2015 message on campus initiatives for inclusiveness towards LGBTQ+ students. I contacted SpectrUM to join their mailing list and have continued to save electronic records for the use of future students and researchers. We will make a decision shortly on how to provide access to the collection. For the time being, you can find more information on the collection in the finding aid.

SpectrUM's logo from their Facebook page

SpectrUM, organized in 1992, has expanded on the work of The Gay Alliance, which formed in the 1970s.

Working on this collection made me wonder about earlier gay and lesbian organizations at the University. Some historical information is available in The Miami Hurricane Archive Online. There I found an article from 1985 titled “Gay Student Seeks to Inform” by Sal O’Neill. O’Neill, who was a senior at that time, wrote about an earlier group called The Gay Alliance, formed in the early-to-mid 1970s. “The Alliance had weekly rap sessions in the Alliance’s office in the Student Union. They also sponsored regular dances at the Rathskeller which were open to the public,” he writes, also noting significant challenges– “fears of exposure and violence, and the apathy that any group must contend with”–that brought about its demise. In the 1980s, students could connect in an off-campus group called the Gay and Lesbian Youth Group, which offered “emotional support and social interaction to gay men and lesbians not available elsewhere up to the age of 25.”

The Lavender Celebration 2016 was sponsored by the Division of Student Affairs, Student Life, Toppel Career Center and Alumni Association.

The Lavender Celebration 2016 was sponsored by the Division of Student Affairs, Student Life, Toppel Career Center and Alumni Association to recognize the accomplishments of LGBTQ graduates of the U.

This was before SpectrUM, which was organized in 1992 (under the name Gay, Lesbian and Bisexual Club). Its purpose is to foster pride through education, awareness, advocacy, and social events and to support all members of the LGBTQ+ community and their allies. It’s remarkable to see how far this mission has come, and we look forward to the opportunity of sharing its continuation with future students and researchers.

Stay tuned for announcements about future archival efforts. In an upcoming project in February 2017 we will work with groups such as the Black Alumni Society and United Black Students to curate a full exhibition at Richter Library on UM’s black students and faculty. The exhibition will coincide with the Black Alumni Society’s First Black Graduates Project. We look forward to collaborating with these and other campus organizations to honor their accomplishments.



New Library Catalog Now Live: Search, Browse, and Discover with uSearch

For the past year, UM’s nine libraries have been collaborating on a merger and migration to a new library management platform and catalog/discovery tool in order to streamline access to the University’s millions of library holdings. The new catalog, known as uSearch, went live May 19, uniting three separate catalogs from across the Coral Gables, Miller School of Medicine, and Rosenstiel campuses.

The library-wide effort was first announced to the University community in February. “Faculty and students on all campuses will be very pleased to discover that, with one search, resources from across the University’s libraries will be displayed on their screen,” said Professor of Law Sally Wise, chair of the Faculty Senate Library & Information Resources Committee and director of the Law Library.

Library users can explore uSearch from an interdisciplinary access point or focus their searches through the uSearch portals of Medical and Law libraries, which have been customized with additional search settings specific to those subject areas.

What does this mean for library users?

  • One catalog: All resources from Law, Medical (Calder, Ophthalmology, and UMH Libraries), Interdisciplinary (Richter), and the subject specialty libraries (Architecture, Business, Marine & Atmospheric Science, and Music) will be available in one catalog.
  • One search: Users will now be able to search all locally digitized/created resources from a single search field. This search includes digitized content from our distinctive collections, institutional repositories, and UM electronic theses and dissertations.
  • One login: Users will have a single means of authentication for most library resources (CaneID).*

Additionally users can look forward to enhanced communications on borrowed materials, including courtesy notices in advance of an item’s due date and loan and check-in receipts.

What do users get by logging in to the system?

While anyone may browse the catalog as a guest, signing in to the system provides users with access to a suite of services that includes:

  • the ability to request and/or place a hold on library materials
  • customize search preferences
  • save customized searches
  • save articles and catalog entries
  • add notes
  • create folders
  • export information to bibliographic software
  • receive alerts when new items are added that fit one’s search parameters, topics of interest, etc.

NOTE: Due to publisher licensing restrictions, results from some databases (e.g., Web of Science) only display if users are logged in.

Need help?

Find search tips and guidance on the use of specific uSearch features for interdisciplinary, Medical, and Law libraries:

Feedback and questions

We welcome your feedback and are grateful for your patience during this implementation process.

*Interlibrary Loan services of the Law and Medical libraries will remain independently operated by their respective departments.



Replicating an Ancient Artifact: Exhibit Highlights 3D Printing in Action at the U

As part of the research for a current exhibit at the Lowe Art Museum, Kay Pacha: Reciprocity with the Natural World, curator Dr. Traci Ardren collaborated with Dr. William Pestle, a faculty member in the Department of Anthropology, and anthropology student Adam Sticca to gain insight on how ancient Andean people made and used the art that would help tell the story of their lives 2,000 years ago. By creating a 3D replica of one such piece, an ancient Peruvian whistling vessel, the researchers were able to carry out intensive study of the artifact’s qualities in ways that could not have been done with the fragile original.

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UM researchers used the Digital Media Lab‘s 3D printer to replicate an ancient artifact from the collection of the Lowe Art Museum.

The 3D print, created in Richter Library’s Digital Media Lab through CT scan images they provided to the lab, is now on view on the first floor of Richter Library.

“From an archaeological perspective, 3D printing capabilities allow for more intensive study of an artifact free from any destructive processes which would damage the original piece,” says Adam Sticca, a freshman in the Department of Anthropology. “In this specific case, the printed replica allowed us to more closely examine the complex structure inside the hollow base. The process took a fair amount of trial and error in order to properly print the object as a hollow structure. This printed replica serves as a shining illustration of the capabilities and applications of 3D printing technology now offered at the library.”

Kay Pacha: Reciprocity with the Natural World is on view at the Lowe Art Museum through July 2, 2016. To learn more about 3D printing, including how to use it for your projects, stop by the Digital Media Lab and sign up for a 3D printing consultation.



Working on a Group Project?

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Working on a group project?

Our large-screen monitors are available so you don’t have to crowd around one laptop. 

The 46-inch monitors are located on the first floor of Richter Library and compatible with most laptops, tablets, and even your smartphone. 

Additional adapters are available for checkout at the Circulation Desk. 

If you need any help, you can always ask at the Information and Research Assistance Desk. Try it today!