Category Archives: Events

CHC Research Colloquia August Schedule

The Cuban Heritage Collection’s 2015-2016 Research Colloquia continues in August with several talks by researchers on works in progress. ​Colloquia are scheduled for 3 p.m. unless otherwise noted.

    • Thursday, August 13
      Abel Sierra Madero, New York University (visiting fellow)
      Made in Cuba: Theatre, Nation and the Forging of the Erotic Subject in the Second Republic (1933-1958)
    • Tuesday, August 18
      Elise Arnold-Levene, Columbia University (CHC Graduate Fellow)
      Lydia Cabrera, the Storyteller as Collector
    • Thursday, August 20 * rescheduled for Wednesday, September 2
      José Villar, Florida International University (CHC Graduate Fellow)
      New Men, New Nations, New Selves: Queer Subjects between Assimilation and Practices of Freedom in Contemporary Cuban Cultural Production
    • Tuesday, August 25
      William Kelly, Rutgers University (CHC Graduate Fellow)
      Constancy and Change: An Analysis of Revolutionary-Era Urban Housing Policy in Cuba
    • Thursday, August 27
      Richard Mwakasege-Minaya, University of Michigan (CHC Graduate Fellow)
      Mobilizing the Empire: Cuban Exile Media & Cold War Politics
    • Monday, August 31
      Francisca Aguilo Mora, University of Miami (CHC Graduate Fellow)
      Language Crossing and Multiaccentuality in Women Writers del Gran Caribe: Narrative, Drama and Performance
  • Learn more about the CHC Graduate Fellowships »


CHC Research Colloquia July Schedule

The Cuban Heritage Collection’s 2015-2016 Research Colloquia continues in July with three talks by researchers on works in progress. ​Colloquia are scheduled for 3 p.m. unless otherwise noted.

    • Tuesday, July 21
      Juan Carlos Medel Toro, University of California Davis (visiting researcher)
      Revolución, democracia y la dictadura del proletariado: Los Comités de Defensa de la Revolución y el Estado Cubano. Discursos y Prácticas
      In Spanish
    • Thursday, July 23
      Olivia Ortega, Consejo Nacional de Ciencia y Tecnología, Mexico (visiting researcher)
      Influencia  de los Estados Unidos en la construcción de la identidad colectiva publicitaria de México y Cuba, 1930-1950
      In Spanish
    • Tuesday, July 28
      Antonio Cardentey Levin, University of Florida (CHC Graduate Fellow)
      Crítica de la pasión caribeña: La dialéctica de los afectos en la novela histórica del Caribe insular hispano
      In Spanish


2015-2016 CHC Research Colloquia Convenes

As we welcome a new class of graduate fellows to the Roberto C. Goizueta Pavilion, we open the 2015-2016 CHC Research Colloquia. Join us as fellows and other researchers discuss their work and their research in the Cuban Heritage Collection. Colloquia are open to the public and scheduled for 3 p.m. unless otherwise noted. RSVP to 305-284-4900 or chc@miami.edu.

Thursday, June 25
Rebecca Salois, CUNY (CHC Graduate Fellow)
“Choteo Cubano: Humor as a Critical Tool in 20th Century Cuban Theater”

Tuesday, June 30
Sara Kozameh, New York University (CHC Graduate Fellow)
“The Agrarian Reforms in Revolutionary Cuba: 1959-1965”

Thursday, July 9
Daniel Fernandez, University of Florida (CHC Graduate Fellow)
“Transnational Contributions to Cuban State Formation: the Spanish Republican Exiles in Cuba”

Thursday, July 23
Olivia Ortega, Consejo Nacional de Ciencia y Tecnología, Mexico (visiting researcher)
Influencia de los Estados Unidos en la construcción de la identidad colectiva publicitaria de México y Cuba, 1930-1950
In Spanish

Tuesday, July 28
Antonio Cardentey Levin, University of Florida (CHC Graduate Fellow)
“Crítica de la pasión caribeña: La dialéctica de los afectos en la novela histórica del Caribe insular hispano”

Tuesday, August 18
Francisca Aguilo Mora, University of Miami (CHC Graduate Fellow)
“Language Crossing and Multiaccentuality in Women Writers del Gran Caribe: Narrative, Drama and Performance”

Thursday, August 20
José Villar, Florida International University (CHC Graduate Fellow)
“New Men, New Nations, New Selves: Queer Subjects between Assimilation and Practices of Freedom in Contemporary Cuban Cultural Production”

Tuesday, August 25
William Kelly, Rutgers University (CHC Graduate Fellow)
“Constancy and Change: An Analysis of Revolutionary-Era Urban Housing Policy in Cuba”

Thursday, August 27
Richard Mwakasege-Miyar, University of Michigan (CHC Graduate Fellow)
“Disseminating Greater Cuba: Cuban Exiles & Cuban-American Media Production”



Cuban Sculptor Roberto Estopiñán (1921-2015) Honored at CHC

by Sarah Block, Library Communications

Click the image above to watch a video of the discussion on May 13. More photos from the event can be viewed on Facebook.

Click the image above to watch a video of the discussion on May 13. More photos from the event can be viewed on Facebook.

Friends, family, and longtime admirers of Cuban sculptor Roberto Estopiñán shed light on the late artist’s vision and the compassion behind his celebrated work during an event held in his memory at the Cuban Heritage Collection (CHC) and co-presented with the Cuban Museum on May 28. Estopiñán, who died in Miami in January 2015 at age 93, is widely known for his work in sculpture describing the complexities of the human condition, often through interpretations of the female form.

The program included a recognition of Estopiñán’s widow, Carmina Benguría, followed by remarks by nephew George Roberto Pace and art historian Alejandro Anreus on Estopiñán’s work and social activism—often interrelated—prior to his exile in 1961 and throughout his life. “At the heart of his work was always the human figure for he believed in the integral and spiritual value of the human person,” Anreus said. The program also included readings by the poets Alina Galliano and Gastón Álvaro, and a screening of the 1994 documentary Artists in Exile: Roberto Estopiñán by the late Cuban-American television writer and producer Ray Blanco.

Forty-six of Estopiñán’s sketchbooks, a few which were on display during the event, were donated to CHC where they will now be preserved and made available to the public.

Photos by Andrew Innerarity.

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Carmina Benguría, widow of Roberto Estopiñán, is honored by CHC Chair Maria Estorino Dooling (left), Ileana Fuentes of the Cuban Museum, and Benguría’s great-nephew Griffin Pace, during the May 28 celebration of Estopiñán’s life and work.



Join Us for a Celebration of Roberto Estopiñán on May 28

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Join us in honoring the life and work of Cuban-born sculptor Roberto Estopiñán, who passed away in January at the age of 93. The evening will include readings by the poets Alina Galliano and Gastón Álvaro; remarks by Estopiñán’s nephew Victor Alberto Garrido and the art historian Alejandro Anreus; and a recognition of his widow, Carmina Benguría. The program will be followed by a screening of the documentary Artists in Exile: Roberto Estopiñán (1994, 30 minutes) by the late Cuban-American television writer and producer Ray Blanco.

From the artist’s estate per his wishes, a selection of works on paper by Roberto Estopiñán will be donated to the Cuban Museum. The Cuban Heritage Collection has received 46 of his sketchbooks, some of which will be on display.

RSVP now to richterevents@miami.edu or call 305-284-4026.

Reception sponsored by the Amigos of the Cuban Heritage Collection.



Now on View: Spare Beauty: The Cuban Kitchen

by Sarah Block, Library Communications

View Ellen Silverman's short film, "My Roots Lie Here," at https://vimeo.com/100001084

Click the image above to watch a video of the event on March 5. View Ellen Silverman’s short film, “My Roots Lie Here,” at vimeo.com/100001084.

A photography exhibition now on view at the Otto G. Richter Library explores life in present-day Cuba as it is intimately reflected in the vibrant tones and textures of homes throughout the island. The wide-format photographic prints featured in Spare Beauty: The Cuban Kitchen serve as vivid windows into decades-old interior spaces, deeply rooted in routine, tradition, and even memories— glimpses of which are brought out through each scene in vivid detail. These immersive scenes are the work of food and travel photographer Ellen Silverman, well-known for her work in celebrated cookbooks, travel magazines, and other artistic mediums. Spare Beauty is one in a series of Silverman’s projects inspired by her travels to Cuba.

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Ellen Silverman

“In my first of several trips to Cuba, I was welcomed into people’s kitchens, where I found sparse spaces where time has stopped,” the New York City-based photographer says in her artist statement. “Due to years of lack of money, supplies and equipment, people have been forced to adapt and improvise. While beautiful and visually stimulating to me, these kitchens are the very real circumstances of each person’s day to day life. This series of photographs reflects the personalities and the circumstances of those who inhabit them.”

Silverman visited the library in March for the opening of the exhibition and to present a short film she directed titled My Roots Lie Here, which can be viewed here. Click here to watch the presentation from the event.

This exhibition will run through July 31, 2015 as part of a library-wide exhibition series exploring culinary traditions and influences of South Florida and the Caribbean.

Photos by Andrew Innerarity.

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This exhibition will run through July 31, 2015 as part of a library-wide exhibition series.



UM’s Cuban Heritage Collection Celebrates the Legacy of Maestro Manuel Ochoa

by Rosa Monzon, Cuban Heritage Collection

The exhibit includes a digital component through which viewers can watch videos of performances conducted by Maestro Ochoa.

The exhibition includes a digital component through which viewers can watch videos of Ochoa’s performances.

Maestro Manuel Ochoa, a Cuban exile musician, choral and orchestra conductor, and founder of the Miami Symphony Orchestra, was the focus of a reception at the Cuban Heritage Collection (CHC), at the University of Miami’s Otto G. Richter Library. The event served as the official launch of an exhibition that includes Ochoa’s greatest works and documented memories, which are preserved and available for research at the CHC in the Manuel Ochoa Papers.

Ochoa is recognized internationally not only for his numerous contributions to classical Cuban music in the island but also his work in Spain, Austria, and the United States.

Curated by Meiyolet Mendez, librarian at the CHC, the exhibition displays photographs, letters, publications, music scores, and concert programs of Ochoa’s personal life and career. Included is a photograph from the beginning of Ochoa’s career, at the age of 17, conducting members of the Holguin Choral Society, which he created in 1942, even before he had any formal training. Another photograph shows Ochoa leading the Belen Jesuit Choir in Havana years later. Ochoa’s lesson plans and notes on working with child choir singers also are on display.

“One of the most exciting parts of working on this exhibit was the opportunity to bring to life Maestro Ochoa’s entire career,” said Mendez. “I discovered a person who was passionate about music and music education, and who loved sharing that passion with others.”

Also on display is a paper program of the Concierto Sacro, sponsored by the Cuban Catholic Artists Guild, featuring Ochoa’s Coro de Madrigalistas (Madrigal Choir), popularly noted as the best choir in Cuba, in 1956, Havana.

A driving force and inspiration in Ochoa’s life was always his family. One of the highlights of the exhibition is a photograph of his mother, Caridad Ochoa, who was a trained opera singer, plus a tear sheet from The Miami Herald with an article by David Lawrence Jr. celebrating Ochoa as well as his wife and biggest supporter, Sofia Ochoa.

“She was at his side every step of the way,” said their son, Manuel Ochoa Jr. “My father always said she made it easy for him to just stand at a podium and conduct.”

CHC recognized Sofia Ochoa (right) during the event.

Esperanza Bravo de Varona (left), former chair of the CHC, and current chair Maria Estorino recognized Sofia Ochoa (right) during the event.

Sofia’s unwavering support for her husband continued after his death, in 2006. She not only donated his collection but also contributed countless hours as a volunteer in the processing of these records.

“When my mother and I thought about how we would remember and commemorate my father, we wanted a living memorial,” said Ochoa Jr. “We wanted to share his life story so that others, especially young Cubans and Cuban-Americans would be inspired to continue his musical legacy.”

After studying and working in Cuba, Vienna, Spain, and Rome, Ochoa settled in Miami following the Cuban Revolution. On display are photographs of Ochoa’s performances in Miami, such as the first Festiva Symphony Concert at the Colonel Hotel in 1989. There is also a photograph of acclaimed Cuban pianist Zenaida Manfugás, from the same concert.

In Miami Ochoa also created the Society of Arts and Culture of Americas, but his greatest contribution to the city’s cultural development was the creation and leadership of the Miami Symphony Orchestra for more than 25 years. Multiple playbills from its concerts are displayed in the CHC’s Roberto C. Goizueta Pavilion, as well as audio and videos of performances.

Guests at the reption.

The celebration of Ochoa’s life and legacy took place at CHC’s Roberto C. Goizueta Pavilion, where the Manuel Ochoa Papers are now permanently housed and available for research.

Considered “the highlight of his tenure with the orchestra,” said Ochoa Jr., was a concert in Carnegie Hall in June of 2000, also represented in the exhibition.

“Maestro Ochoa’s legacy lives on in the Miami Symphony Orchestra he founded and in the lives that he touched through his various cultural activities,” said Maria Estorino, chair of the CHC. “But it also lives on here, in the library, where through his own papers, his life, his work, and his passion can be discovered.”

The CHC is home to thousands of books, manuscripts, photographs, and other materials that document the rich history and culture of Cuba and its diaspora. The legacy of Maestro Manuel Ochoa, as well as countless other Cubans and Cuban-Americans, “will not only be preserved here, but it will be shared with our students and with the community,” said Estorino.

“I hope the Maestro Manuel Ochoa Collection continues to inspire and educate future generations to become musicians and conductors, and keep alive the rich tradition of classical music,” Ochoa Jr. said.

The exhibition is available for viewing through the end of summer. For more information about the Cuban Heritage Collection and its events, please visit www.library.miami.edu/chc.

View more photos from the event here.

Photos by Andrew Innerarity.

The exhibit will be available at the Roberto C. Goizueta Pavilion through summer 2015.

The exhibition is on view at the Roberto C. Goizueta Pavilion through the end of the summer.





2015 Annual International Edible Book Festival at Richter Library

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The University of Miami Libraries (UML) is calling for submissions to the 15th annual International Edible Book Festival. A popular event here at UM and universities worldwide, the festival celebrates the intellectually nourishing power of books in a fun and creative way—by turning them into edible art. UML’s 2015 festival will take place on April 1, 12-2:30 p.m., at the Otto G. Richter Library.

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Due to popular demand, the deadline to register has been extended through Monday, March 30.

History

The Edible Book Festival is the dreamchild of Judith Hoffberg, a librarian and champion of artists’ books, and Beatrice Coron, a visual storyteller and book artist. (Many of Coron’s works are held in UML’s Special Collections.) Celebrated since 2000 in various parts of the world, the festival involves the creation, display, and eating of edible books. It generally falls on or around April 1, partly a nod to the April Fools’ tradition of “eating your words,” as the official website explains.

This year marks UML’s fifth celebration of the Edible Book Festival. View past entries »

 

Examples of past entries

Examples of past entries (from left): Bite Club, The Da Vinci Cod, The Picture of Dorito Gray, The Catcher in the Rye

Schedule

9 a.m. to 11:30 a.m.: Edible books entries accepted
Noon to 1:30 p.m.: Public viewing and judging
1:30 to 2 p.m.: Votes counted and prizes awarded
2 to 2:30 p.m.: Entries eaten by participants and viewers

How to Participate

ebf-judgingCategoriesAll UM students, faculty, and staff are invited to attend or participate in the festival by submitting an edible book, either as an individual or with a team. Your submission can be based on any kind of book, including a novel, diary, biography, pop-up book, comic, picture book, or artist’s book. How it’s reinvented into an edible form is completely up to you. All contest participants should register now.

The first fifty contestants will receive a commemorative UML Edible Book Festival apron when they submit their entry on April 1.

 

Rules

  • Entries must be edible and inspired by a book.
  • Entries should hold their shape while on display (about 2.5 hours without refrigeration).
  • Entries must be delivered to Richter Library on April 1 by 11:30 a.m. You are welcome to display your book inspiration (or cover image) alongside your entry.
  • If you believe that your entry qualifies for the “Healthiest” prize, please submit a list of ingredients on or before the festival day.

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For additional questions, please email ediblebooks@miami.edu.



Share Your Story: A Call for South Florida Veterans and Military Families

storycorps-blog_logoThe search for South Florida soldiers and their family members is actively underway by StoryCorps, Warmamas, and the University of Miami Libraries (UML). The three organizations are collaborating on StoryCorps’ Military Voices Initiative, a project that honors veterans and the military community by recording and preserving their stories. Approximately eighteen interviews will begin at 9 a.m. on March 11, 12, and 13 at the Otto G. Richter Library on UM’s Coral Gables campus.

StoryCorps interviews are conducted as a conversation between two people, while a trained StoryCorps facilitator guides the 40-minute recording session. With the participants’ permission, the recordings of these interviews will be archived at the Library of Congress and segments of select interviews may also air nationally on NPR’s Morning Edition. “We are a people defined by small acts of courage, kindness and heroism,” says StoryCorps founder David Isay. The Military Voices Initiative builds on this notion and contributes to StoryCorps’ diverse collection by recording and preserving the stories of veterans and military families. It is an opportunity for them to share their experiences in their own words.

The archive of recorded oral histories will be preserved at UML’s Special Collections, located at the Otto G. Richter Library. Open to the public, Special Collections houses a vast repository for researchers on a wide range of topics, with a particular emphasis on South Florida and the Caribbean. “As a community archive, Special Collections actively documents history by collecting materials, from photographs to personal letters to video recordings, that will remain here permanently and ultimately serve to inform, enlighten, and even inspire future generations,” says Chuck Eckman, Dean of University of Miami Libraries.

StoryCorps previously partnered with UML on Historias, an initiative to record the diverse stories and life experiences of Latinos in the United States. UML’s Cuban Heritage Collection served as a community partner for Historias interviews conducted locally in 2009. Additional UML oral history projects include the Haitian Diaspora Oral History Collections at Special Collections and multiple oral history projects focusing on Cuban diaspora and Cuban American communities at the Cuban Heritage Collection. Access to oral history collections is available from UML’s website.

Veterans and military families interested in this opportunity to tell their story should call Patricia Sowers at 786-493-0892, 305-461-5193, or email pfsowers@bellsouth.net.

Members of the press may interview selected participants as well as StoryCorps, UML, and Warmamas staff at 9 a.m. on March 13. Press must contact Barbara Gutierrez at bgutierrez@miami.edu to RSVP.