Category Archives: ¿Qué pasa, CHC?

“Pink Powder” Exhibition Now On View

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Silueta Works in Iowa, Ana Mendieta, 1976, on view at Richter Library. The photograph is part of Mendieta’s series depicting her silhouettes created from the earth over time.

September 20 – November 1, 2016
Otto G. Richter Library, 2nd floor

Featuring works by Tracey Emin, Naomi Fisher, Sam Taylor-Johnson, Ana Mendieta, and Susanne Winterling

Pink Powder, an exhibition of renowned works owned by the de la Cruz Collection is now on view at Richter Library. The exhibition brings together a group of artists whose work addresses the female form and identity.

Imagery varying from the quiet and ponderous, to the raw and rebellious, subvert the traditional role of the female muse within the canons of art history, literature, and popular culture.

From the “earth-body” work of Cuban-American artist, Ana Mendieta, to the drawings of female bodies as plants by Miami artist, Naomi Fisher; and from the confessional work of British artists, Tracey Emin and Sam Taylor-Johnson, to the autobiographical work of Berlin-based artist, Susanne Winterling; the artists in this exhibition address the female body with an unapologetic intensity and encourage a conversation on the healing power of the visual arts.

This exhibition is organized by the de la Cruz Collection in collaboration with the the Libraries and Miami Institute for the Americas with contributions by the Sylvester Comprehensive Cancer Center, Lowe Art Museum in the College of Arts and Sciences, and the Frost School of Music on the occasion of Breast Cancer Awareness Month, October 2016.

 



UM Libraries Events: Fall 2016

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Mark your calendar for a series of stimulating book talks, discussions, and presentations coming up at UM Libraries. 

Stay on top of the Libraries’ latest news, resources, and services. Receive electronic invitations to special events, talks and presentations, exhibitions, workshops, and more.





Goizueta Fellows: In Their Own Words

Starting this summer the Cuban Heritage Collection welcomes ten emerging scholars into the Goizueta Foundation Graduate Fellowships Program. We are proud to introduce each of our 2016-2017 Goizueta Fellows throughout the course of the program.

Thanks to Melissa Bumbach for taking part in the first interview of the series. Melissa will discuss her work in a CHC Research Colloquium on Wednesday, June 29, 3 p.m., at CHC’s Roberto C. Goizueta Pavilion. All are welcome to attend this presentation.

About Melissa Bumbach

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Goizueta Fellow Melissa Bumbach is pursuing her Doctorate of Musical Arts in Choral Conducting at the University of Miami Frost School of Music.

Melissa Bumbach is a teaching assistant at the University of Miami Frost School of Music where she is pursuing her Doctorate of Musical Arts in Choral Conducting with a cognate in music education. She has been awarded two research grants to fund dissertation research in Cuba and the U.S. Previously, she was the choral director at Howard Middle School in Marion County, Florida, where she was named the 2012 Howard Middle School Teacher of the Year and awarded a $10,000 grant for her choral program from the TV show Glee and the National Association for Music Education. She went on to be named the 2012 Marion County Teacher of the Year. Melissa is also a professional vocal soloist and choral singer and has recorded with Gloria Estefan and sung the National Anthem at the 2016 CNN Republican Presidential Debate in Miami, FL. Melissa received her master’s degree in choral conducting at the University of South Florida, where was the Graduate Conducting Apprentice for the Master Chorale of Tampa Bay. She received her bachelor’s degree in music education from Palm Beach Atlantic University.

What university/program are you from?

University of Miami Frost School of Music, pursuing a Doctorate of Musical Arts in Choral Conducting

What are you working on?

I am conducting an oral history of Dr. Digna Guerra, the director of the National Choir of Cuba since 1975, for my dissertation. Chamber choirs from the National Choir of Cuba have recently performed at the baseball game attended by U.S. President Barack Obama and Cuban President Raúl Castro as well as with the Rolling Stones.

What do you expect to find at the CHC?

The Cuban Heritage Collection contains the Manuel Ochoa papers. Manuel Ochoa, a well-known choral and orchestral conductor, was Dr. Guerra’s conducting teacher in Cuba in the 1960s. I hope to find materials from Dr. Guerra’s time under Manuel Ochoa’s direction. I also hope to find materials related to Dr. Guerra’s many choral performances and professional recognitions in Cuba and internationally.

How can we learn more about your research?

I will be talking about my project in a CHC Research Colloquium* on Wednesday, June 29, 3 p.m. at the Roberto C. Goizueta Pavilion.

*Colloquia are free and open to the public. Contact us at chc@miami.edu for more information.

About the Goizueta Foundation Graduate Fellowships Program

The Goizueta Foundation Graduate Fellowships Program provides assistance to doctoral students who wish to use the research resources available in the University of Miami Cuban Heritage Collection (CHC) in support of dissertation research. The goal of these fellowships is to engage emerging scholars with the materials available in the Cuban Heritage Collection and thus contribute to the larger body of scholarship in Cuban, hemispheric, and international studies.

For more information about fellowship opportunities to study at the Cuban Heritage Collection or to learn about past fellows, click here.



Summer Hours

The Collection’s summer hours remain the same as during the academic year, please see below.

However, the department will be closed on Monday, May 30th and Monday, July 4th in observance of Memorial Day and 4th of July, respectively.

Please email us at chc@miami.edu with any questions.

CHC Regular Hours

Monday 9am – 4pm
Tuesday 9am – 4pm
Wednesday 9am – 7pm
Thursday 9am – 4pm
Friday 9am – 4pm
Saturday Closed
Sunday Closed


Collection Highlights: Music Papers

The Cuban Heritage Collection has created a research guide to its archive of music-related documents, distributed in more than 40 collections of papers and/or recordings of musicians, singers, composers, music scholars and music amateurs in Cuba and the diaspora. A wealth of books and various types of published materials on Cuban music from the early colonial times to the present are also available in the Collection. A database of music scores in the CHC is available in the Scores Database tab within the guide.

Featured image: Beny Moré (left), Abelardo Barroso (center) and Rolando Laserie at Los Jardines de la Tropical, Havana, April 26, 1958.

Featured image: Beny Moré (left), Abelardo Barroso (center) and Rolando Laserie at Los Jardines de la Tropical, Havana, April 26, 1958.



Objects in the Archive: Now on Display

objectsArchive_FINAL-withBlurb_webby Sarah Block, Library Communications

The exhibition features materials that highlight how the physical characteristics of objects can provide insightful clues about the past and inform the present.

Curated by Meiyolet Méndez, interim chair of the Cuban Heritage Collection, and Dr. Martin Tsang, UM Libraries CLIR Postdoctoral Fellow in History and Area Studies, Objects in the Archive includes three-dimensional objects related to education, industry, and religion in Cuba from the Collection and outside materials. They span commodities and marketing materials from the tobacco industry, Republic-era educational memorabilia, creative works such as artist’s books from Cuba’s Vigía collective, and a rich variety of religious objects.

Tsang, a former CHC Graduate Fellow, culled religious ornaments and sculpture, many from the Lydia Cabrera Papers, that document influences of Afro-Cuban religion on the island and largely informed his own doctoral work.

“As an anthropologist I’m very interested in these material objects that remain and the inspiration, symbolism, and value that is given to and contained in these materials.” In his ethnographic fieldwork Tsang, who is also an initiated Lukumí priest, has also studied Afro-Cuban religion in both Cuba and on our doorstep through interviews and objects including religious icons and Afro-Atlantic beaded art.

“In some cases,” he explains, “objects have their own lives. A sculpture, such as that of a deity, can be as meaningful in a person’s life far beyond the concept of an inanimate object, taking on its own biography.”

One such object, a cement figure with cowrie shell features honoring the deity Elegua, is featured in the exhibition courtesy of Biscayne National Park, where it was originally found and is part of a larger religious use study that Dr. Tsang has conducted there. “The materials used and the way it’s created offer insights about origins of time and place, and broader cultural patterns and mobility.”

Objects in the Archive is on view through August 2016.