Dr. Alejandro Portes Launches Latest Work at CHC

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by Meiyolet Méndez and Sarah Block

On Wednesday, March 30, the Cuban Heritage Collection hosted the North American launch of the book The State and the Grassroots: Immigrant Transnational Organizations in Four Continents. The book, which explores immigration topics through the lens of sociology and public health, was co-edited by Alejandro Portes, University of Miami Professor of Sociology and Law. The event was co-presented with the Miami Institute for the Americas and UM’s Department of Sociology.

A panel of experts, including David Abraham (University of Miami Professor of Law), Jorge Dominguez (Harvard University Academy for International and Area Studies Chair), and Felicia Knaul (University of Miami Professor and Director of the Miami Institute for the Americas), examined Dr. Portes’ work. President Julio Frenk delivered the closing remarks.

_NN25772Portes described his inspiration for the book as “the way immigrants organize to both defend themselves and their identities. They promote their well-being in the receiving countries as well as protagonism in the regions and countries from which they came.”

One key finding of his work is that in many cases immigration as a cyclical process, in which people move back and forth between home and receiving countries, is not a “zero-sum game.” “People are very much attached to the culture and language that they came from, and such attachments are not inimical to successful cultural and political incorporation in the receiving country,” he said.

In the closing remarks, President Julio Frenk, who earned his doctorate in sociology from the University of Michigan, said the book allowed him to revisit his scholarly roots. “I enjoyed reading both the insights and the arcane language of my colleagues in the social sciences,” he said. He also noted the event marked his first book launch since becoming president of the University of Miami. “These events greatly contribute to the intellectual vigor of our institution.”

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Join us for “The Future of Academic Publishing” on April 20 at 4 p.m.

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The Future of Academic Publishing
Wednesday, April 20, 2016
4 p.m.

Otto G. Richter Library, 3rd floor
University of Miami | 1300 Memorial Drive | Coral Gables, FL 33146

Presented with the University of Miami Center for Humanities.
This event is free and open to the public. Registration Required.

REGISTER NOW

What will the university press of the future look like? This panel, intended for faculty and graduate students in the humanities as well as librarians, will begin by laying out the current status of academic publishing (e.g., impact of the e-book; declining library sales; consequence of the acquisition of presses by conglomerates); it will then turn to discuss prospects for the future (e.g., publishing on digital platforms that enable interactive features; open access). Topics to be addressed include coming changes in the nature of publishing operations, business models, and organizational contexts.

About the Presenters

Peter Berkery has been executive director of the Association of American University Presses since early 2013. He was previously vice president and publisher for the US Law Division at Oxford University Press. Berkery has a B.A. in classical studies from Boston College, an M.A. and a J.D. from American University, as well as a Master of Laws in Taxation from George Washington University.

Peter Potter, who was editor-in-chief at Cornell University Press since 2006, became Director of Publishing Strategy for University Libraries at Virginia Tech in January 2016. Before Cornell, he worked at The Pennsylvania State University Press as editor-in-chief and associate director. Potter has been a leader in efforts to integrate new technologies into scholarly publishing practices. He received his bachelor’s degree in history from Virginia Tech and his master’s degree in history from the University of Virginia.



Author Examines Cuban TV’s Remarkable History

By Peter E. Howard, UM News

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Historian Yeidy M. Rivero credits the CHC for igniting her passion for examining commercial television in Cuba.

An imposing figure who liked the sound of his own voice, the uniform-clad revolutionary frequently promoted his political objectives on television. Sometimes his speeches went on for as long as eight hours, without a commercial break.When he came to power in Cuba in 1959, Fidel Castro wasted little time taking to the airwaves.

At the time, the television stations were privately owned, and it wasn’t until a year to 18 months later that the government took over. It knew the power of the medium back then, and used it to its advantage.

“Castro was marketing the revolution,” said Yeidy M. Rivero, author of the book Broadcasting Modernity, which examines the history of commercial television in Cuba from 1950 to 1960. “He was very charismatic, and he used it perfectly well.”

Rivero, a professor at the University of Michigan, was at the University of Miami’s Otto G. Richter Library Wednesday night to talk about her book, and engage the audience gathered in the Cuban Heritage Collection’s Roberto C. Goizueta Pavilion in a discussion about the birth of commercial television in Cuba during a period of political and economic upheaval.

It was a homecoming of sorts for the historian. Rivero credits the research she did at the Cuban Heritage Collection at UM Libraries for igniting her passion for the project. From day one, she recalled, she was provided a daily cafecito to enjoy – “with plenty of sugar.”

“I feel like this is part of my family,” Rivero shared.

Cuba’s history with television is remarkable, with the island nation at the cutting edge of production and programming from the beginning. Talented employees helped advance the products. Some fled Cuba because of the instability, enriching television production in other Latin American countries, including Venezuela and Puerto Rico.

Cuba, Rivero said, was the first country in Latin America to have color television, and second in the world to feature it after the United States.

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Broadcasting Modernity: Cuban Commercial Television, 1950-1960, published by Duke University Press in 2015.

Rivero added that she has always been “fascinated by the popularity of the medium,” and began researching commercial television in Cuba about a decade ago. She read every newspaper and magazine article she could find on television in Cuba, and was pleasantly surprised to find detailed analyses in documents at the Biblioteca Nacional José Martí Centro de Investigaciones del Instituto Cubano de Radio y Televisión in Havana.

Early television in Cuba, she said, was used to convey the country as modern, emerging, economically successful, educated, and morally sound. Some rumba dances were censored on television because they were deemed too risqué.

“When I began my research,” Rivero said, “I had no idea what I would find.”

Photos by Brittney Bomnin.



Join Us for Broadcasting Modernity: Cuban Commercial Television, 1950-1960 on September 9

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The University of Miami’s Cuban Heritage Collection
and Florida International University’s Cuban Research Institute
invite you to a presentation of the book

Broadcasting Modernity: Cuban Commercial Television, 1950-1960
by Yeidy M. Rivero, PhD

Opening remarks by Jorge Duany, PhD
Director, FIU Cuban Research Institute

Wednesday, September 9, 2015
Reception 6:30 p.m.
Presentation 7 p.m.

Roberto C. Goizueta Pavilion
Otto G. Richter Library, 2nd Floor
University of Miami
1300 Memorial Drive
Coral Gables, FL 33146

RSVP to richterevents@miami.edu or call 305-284-4026.
Reception sponsored by the Amigos of the Cuban Heritage Collection

 

The birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba’s identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how the television industry enabled different institutions to convey an image of progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro’s project of creating a modern socialist country. As Cuba changed, television changed with it. Dr. Rivero not only demonstrates television’s importance to Cuban cultural identity formation; she explains how the medium functions in society during times of radical political and social transformation.

Yeidy M. Rivero is Professor of Screen Arts and Cultures at the University of Michigan. She is the coeditor of Contemporary Latina/o Media: Rethinking Production, Circulation, and Politics (2014) and author of Tuning Out Blackness: Race and Nation in the History of Puerto Rican Television (2005). Her scholarship focuses on television studies, race and the media, global media, and Latino/a studies.

Please click map image below to enlarge. Contact us at 305-284-4026 or richterevents@miami.edu with questions about directions and parking.

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CHC Research Colloquia August Schedule

The Cuban Heritage Collection’s 2015-2016 Research Colloquia continues in August with several talks by researchers on works in progress. ​Colloquia are scheduled for 3 p.m. unless otherwise noted.

    • Thursday, August 13
      Abel Sierra Madero, New York University (visiting fellow)
      Made in Cuba: Theatre, Nation and the Forging of the Erotic Subject in the Second Republic (1933-1958)
    • Tuesday, August 18
      Elise Arnold-Levene, Columbia University (CHC Graduate Fellow)
      Lydia Cabrera, the Storyteller as Collector
    • Thursday, August 20 * rescheduled for Wednesday, September 2
      José Villar, Florida International University (CHC Graduate Fellow)
      New Men, New Nations, New Selves: Queer Subjects between Assimilation and Practices of Freedom in Contemporary Cuban Cultural Production
    • Tuesday, August 25
      William Kelly, Rutgers University (CHC Graduate Fellow)
      Constancy and Change: An Analysis of Revolutionary-Era Urban Housing Policy in Cuba
    • Thursday, August 27
      Richard Mwakasege-Minaya, University of Michigan (CHC Graduate Fellow)
      Mobilizing the Empire: Cuban Exile Media & Cold War Politics
    • Monday, August 31
      Francisca Aguilo Mora, University of Miami (CHC Graduate Fellow)
      Language Crossing and Multiaccentuality in Women Writers del Gran Caribe: Narrative, Drama and Performance
  • Learn more about the CHC Graduate Fellowships »


CHC Research Colloquia July Schedule

The Cuban Heritage Collection’s 2015-2016 Research Colloquia continues in July with three talks by researchers on works in progress. ​Colloquia are scheduled for 3 p.m. unless otherwise noted.

    • Tuesday, July 21
      Juan Carlos Medel Toro, University of California Davis (visiting researcher)
      Revolución, democracia y la dictadura del proletariado: Los Comités de Defensa de la Revolución y el Estado Cubano. Discursos y Prácticas
      In Spanish
    • Thursday, July 23
      Olivia Ortega, Consejo Nacional de Ciencia y Tecnología, Mexico (visiting researcher)
      Influencia  de los Estados Unidos en la construcción de la identidad colectiva publicitaria de México y Cuba, 1930-1950
      In Spanish
    • Tuesday, July 28
      Antonio Cardentey Levin, University of Florida (CHC Graduate Fellow)
      Crítica de la pasión caribeña: La dialéctica de los afectos en la novela histórica del Caribe insular hispano
      In Spanish


2015-2016 CHC Research Colloquia Convenes

As we welcome a new class of graduate fellows to the Roberto C. Goizueta Pavilion, we open the 2015-2016 CHC Research Colloquia. Join us as fellows and other researchers discuss their work and their research in the Cuban Heritage Collection. Colloquia are open to the public and scheduled for 3 p.m. unless otherwise noted. RSVP to 305-284-4900 or chc@miami.edu.

Thursday, June 25
Rebecca Salois, CUNY (CHC Graduate Fellow)
“Choteo Cubano: Humor as a Critical Tool in 20th Century Cuban Theater”

Tuesday, June 30
Sara Kozameh, New York University (CHC Graduate Fellow)
“The Agrarian Reforms in Revolutionary Cuba: 1959-1965”

Thursday, July 9
Daniel Fernandez, University of Florida (CHC Graduate Fellow)
“Transnational Contributions to Cuban State Formation: the Spanish Republican Exiles in Cuba”

Thursday, July 23
Olivia Ortega, Consejo Nacional de Ciencia y Tecnología, Mexico (visiting researcher)
Influencia de los Estados Unidos en la construcción de la identidad colectiva publicitaria de México y Cuba, 1930-1950
In Spanish

Tuesday, July 28
Antonio Cardentey Levin, University of Florida (CHC Graduate Fellow)
“Crítica de la pasión caribeña: La dialéctica de los afectos en la novela histórica del Caribe insular hispano”

Tuesday, August 18
Francisca Aguilo Mora, University of Miami (CHC Graduate Fellow)
“Language Crossing and Multiaccentuality in Women Writers del Gran Caribe: Narrative, Drama and Performance”

Thursday, August 20
José Villar, Florida International University (CHC Graduate Fellow)
“New Men, New Nations, New Selves: Queer Subjects between Assimilation and Practices of Freedom in Contemporary Cuban Cultural Production”

Tuesday, August 25
William Kelly, Rutgers University (CHC Graduate Fellow)
“Constancy and Change: An Analysis of Revolutionary-Era Urban Housing Policy in Cuba”

Thursday, August 27
Richard Mwakasege-Miyar, University of Michigan (CHC Graduate Fellow)
“Disseminating Greater Cuba: Cuban Exiles & Cuban-American Media Production”



Cuban Sculptor Roberto Estopiñán (1921-2015) Honored at CHC

by Sarah Block, Library Communications

Click the image above to watch a video of the discussion on May 13. More photos from the event can be viewed on Facebook.

Click the image above to watch a video of the discussion on May 13. More photos from the event can be viewed on Facebook.

Friends, family, and longtime admirers of Cuban sculptor Roberto Estopiñán shed light on the late artist’s vision and the compassion behind his celebrated work during an event held in his memory at the Cuban Heritage Collection (CHC) and co-presented with the Cuban Museum on May 28. Estopiñán, who died in Miami in January 2015 at age 93, is widely known for his work in sculpture describing the complexities of the human condition, often through interpretations of the female form.

The program included a recognition of Estopiñán’s widow, Carmina Benguría, followed by remarks by nephew George Roberto Pace and art historian Alejandro Anreus on Estopiñán’s work and social activism—often interrelated—prior to his exile in 1961 and throughout his life. “At the heart of his work was always the human figure for he believed in the integral and spiritual value of the human person,” Anreus said. The program also included readings by the poets Alina Galliano and Gastón Álvaro, and a screening of the 1994 documentary Artists in Exile: Roberto Estopiñán by the late Cuban-American television writer and producer Ray Blanco.

Forty-six of Estopiñán’s sketchbooks, a few which were on display during the event, were donated to CHC where they will now be preserved and made available to the public.

Photos by Andrew Innerarity.

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Carmina Benguría, widow of Roberto Estopiñán, is honored by CHC Chair Maria Estorino Dooling (left), Ileana Fuentes of the Cuban Museum, and Benguría’s great-nephew Griffin Pace, during the May 28 celebration of Estopiñán’s life and work.



Join Us for a Celebration of Roberto Estopiñán on May 28

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Join us in honoring the life and work of Cuban-born sculptor Roberto Estopiñán, who passed away in January at the age of 93. The evening will include readings by the poets Alina Galliano and Gastón Álvaro; remarks by Estopiñán’s nephew Victor Alberto Garrido and the art historian Alejandro Anreus; and a recognition of his widow, Carmina Benguría. The program will be followed by a screening of the documentary Artists in Exile: Roberto Estopiñán (1994, 30 minutes) by the late Cuban-American television writer and producer Ray Blanco.

From the artist’s estate per his wishes, a selection of works on paper by Roberto Estopiñán will be donated to the Cuban Museum. The Cuban Heritage Collection has received 46 of his sketchbooks, some of which will be on display.

RSVP now to richterevents@miami.edu or call 305-284-4026.

Reception sponsored by the Amigos of the Cuban Heritage Collection.



Now on View: Spare Beauty: The Cuban Kitchen

by Sarah Block, Library Communications

View Ellen Silverman's short film, "My Roots Lie Here," at https://vimeo.com/100001084

Click the image above to watch a video of the event on March 5. View Ellen Silverman’s short film, “My Roots Lie Here,” at vimeo.com/100001084.

A photography exhibition now on view at the Otto G. Richter Library explores life in present-day Cuba as it is intimately reflected in the vibrant tones and textures of homes throughout the island. The wide-format photographic prints featured in Spare Beauty: The Cuban Kitchen serve as vivid windows into decades-old interior spaces, deeply rooted in routine, tradition, and even memories— glimpses of which are brought out through each scene in vivid detail. These immersive scenes are the work of food and travel photographer Ellen Silverman, well-known for her work in celebrated cookbooks, travel magazines, and other artistic mediums. Spare Beauty is one in a series of Silverman’s projects inspired by her travels to Cuba.

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Ellen Silverman

“In my first of several trips to Cuba, I was welcomed into people’s kitchens, where I found sparse spaces where time has stopped,” the New York City-based photographer says in her artist statement. “Due to years of lack of money, supplies and equipment, people have been forced to adapt and improvise. While beautiful and visually stimulating to me, these kitchens are the very real circumstances of each person’s day to day life. This series of photographs reflects the personalities and the circumstances of those who inhabit them.”

Silverman visited the library in March for the opening of the exhibition and to present a short film she directed titled My Roots Lie Here, which can be viewed here. Click here to watch the presentation from the event.

This exhibition will run through July 31, 2015 as part of a library-wide exhibition series exploring culinary traditions and influences of South Florida and the Caribbean.

Photos by Andrew Innerarity.

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This exhibition will run through July 31, 2015 as part of a library-wide exhibition series.