The University of Miami Libraries and Department of Geography will present a series of workshops and discussions on November 16 demonstrating the real-world applications of geographic information systems (GIS). Sessions will take place at the Otto G. Richter Library from 8 a.m. to 5 p.m. and are free and open to the public. Learn more »
By Koichi Tasa, University Archivist
Even when I was a newly hired University Archivist in fall 2007, I knew the name Ray Bellamy, his face, and his historical importance for the University as the first black athlete (1967) and the first black president of the student government (1971) from Dr. Charlton Tebeau’s 1976 publication The University of Miami: A Golden Anniversary History, 1926-1976.
So, the staff of the University Archives were thrilled to meet the legendary alumnus during his recent visit to Miami in the last week of September. He first visited the current UM Libraries exhibition Miami Celebrates: The Orange Bowl Festival, 1930s-1990s, then came up to the 8th floor to review our materials on him as well as our historical collections of black students and faculty.
He talked to us about his experience when at the University in the midst of the racial integration struggle in Miami.
You can find out a lot about Mr. Bellamy’s accomplishments on the Internet and YouTube as well as in numerous articles and publications of the University. I would like to show you a compelling documentary I found on YouTube titled Changing the Game: a Deep South Conflict, a Compromise of Attitudes, which was created by David and Matt Mariutto (see below). I think this is not only a great piece on Mr. Bellamy but also a powerful teaching material on diversity.
Mr. Bellamy was brought to us by Ms. Denise Mincey-Mills, who is one of the co-chairs of the Alumni Association’s program “First Black Graduates Project,” which celebrates the first black graduates of the University of Miami in the 1960s and the 1970s. Please go to the link below for further information about the program, which takes place on February 24 and 25, 2017.
Included in the program is a visit to the Otto G. Richter Library to view an exhibition “U Trailblazers – Black Students and Faculty Who Broke Color Barrier in the 1960s and the 1970s” (*tentative title) curated by the University Archives for the Black History Month as well as a reception offered by Richter and a lecture by UM’s history professor Dr. Donald Spivey.
(Courtesy of Hurricanesports.com / Release: 2/04/2013)
By Lauren Fralinger, Lauren and Research Services
They’re often called the “trinity” in comic book circles: Superman, Batman, and Wonder Woman. Over the past 75 years, we have seen Superman and Batman on screen in many incarnations, each portrayal adding a bit more history to the character. 2016 has brought us only our second live portrayal of Wonder Woman, and though audiences haven’t seen her as frequently, that is about to change. Celebrating her 75th anniversary in 2016, Wonder Woman is a feminist pop culture icon whose legacy has endured nearly a century.
Debuting in 1941 in All Star Comics #8, Wonder Woman was one of the earliest female superheroes to make it into print. Developed by William Moulton Marston, Wonder Woman was created to be a different kind of superhero. Still in their early days, superhero comics were dominated by powerful, almost exclusively male heroes who used physical strength or technology to win their battles. In contrast, Marston wanted to create a superhero who won not through the strength of their fists, but also through love. It was Marston’s wife Elizabeth who suggested that this new superhero be a woman.
Wonder Woman’s origins are steeped in Greek mythology. Born as Diana, Princess of the Amazons, she was sculpted from clay by her mother, Queen Hippolyta and imbued with powers from several Olympian goddesses. Withdrawn from the world and protected by the gods, the Amazons lived in isolation on a hidden island until it was accidentally discovered by an American intelligence officer whose plane crashed there during World War II. Selected to bring the man back to “Man’s World” and to join the fight against the Nazis, Diana was gifted a pair of magical, bulletproof bracelets and a lasso of truth, which forces honesty from anyone it captures. Wonder Woman quickly joined the war alongside other early superheroes and served on the Justice Society of America, one of the first superhero teams.
Over the course of 75 years, Wonder Woman has gone through dozens of incarnations in the comics as writers and stories have come and gone. Acknowledged early on as one of the most powerful heroes in the DC Comics stable, Wonder Woman went through a strange period in the late sixties and early seventies where her powers were taken from her entirely. Dismayed that one of the most recognizable and powerful women in pop culture was no longer able to compete on the same field as her super powered male counterparts, Gloria Steinem placed Wonder Woman on the cover of the inaugural issue of her new magazine, Ms., and criticized the decision to strip away everything that made Diana so empowered. A year later, Wonder Woman had her bracelets, lasso and superpowers returned, and was back in full fighting form.
Diana’s first on-screen portrayal was made by Lynda Carter in the 1970s Wonder Woman television series. Airing from 1975 to 1979 during the peak of the second-wave feminist movement, Wonder Woman presented a powerful, intelligent, and deeply human woman capable of extraordinary abilities to American audiences. Decades after the end of the 1970s series, Wonder Woman made appearances in various animated series such as Justice League and Justice League Unlimited in the early 2000s, but was not portrayed live again until 2016’s Batman vs. Superman. Though Batman and Superman both made the jump to the movies decades earlier, Gal Gadot’s portrayal of the Amazon princess was the first time Wonder Woman had made it into theaters. Batman vs. Superman may have been her first silver screen appearance, but it won’t be her last; Gadot will reprise her role as Diana for 2017’s Wonder Woman.
Interested in more Wonder Woman? The Richter Library has you covered. Check out more books and comics about the adventures of the Amazon Princess here:
Wonder Woman (2012)
Wonder Woman ‘77 (2016)
Wonder Woman: Earth One (2016)
By Bárbara Gutiérrez, UM News
Lydia Cabrera was the Margaret Mead of Cuba. The Havana-born, Paris-educated anthropologist and literary figure was an authority on Santería and other Afro-Cuban religions, earning the trust and respect of its practitioners.
Cabrera, who died in Miami in 1991, left a precious treasure trove to the University of Miami Libraries’ Cuban Heritage Collection that served as the centerpiece for the first discussion at the New Directions in Cuban Studies Conference held October 20 and 21 at the Donna E. Shalala Center.
The conference, sponsored by the CHC and the Miami Institute for the Americas (MIA), highlighted the works of top academics, many of whom have used the CHC for research.
In its second rendition, New Directions featured 21 scholars who presented their research papers on topics ranging from “Making Ends Meet: Women’s Small-Scale, Home based Informal Employment in Post-Soviet Cuba” to “The Symbolic Century XIX in Cuban Literature after 1959.”
“We are thrilled to have the opportunity to host this event and showcase the work of emerging scholars in Cuban studies,” said Dean of Libraries Charles Eckman in his welcoming remarks. “This event represents our essential mission as a library, that of supporting education and personal development through research, collaboration, and inspiring discussion.”
Felicia Knaul, director of MIA, also welcomed the audience, saying that she found the CHC to be a space that “evokes leadership and thought around key issues.” She added that the University and MIA have a “commitment to identify ways that through academia, learning and policy discussions ways can be found that lead to peace, to knowledge and better access for the many in our world to economic development here and in the future.”
During the first panel, three scholars presented “The Ontology of Lydia Cabrera’s Archive: Sexuality and the Spirit” by delving into how the noted ethnographer explored and developed images of queer, feminist, and non-traditional roles in her writings about Santeria, the African religion brought over to Cuba by African slaves.
Sarah Piña, a doctoral candidate at University of Houston who studied the Lydia Cabrera Papers as a Goizueta fellow at CHC, said that although Cabrera never openly revealed her identity as a feminist or a lesbian, she was drawn to issues of the marginalized of Cuba society, such as blacks and queer elements within the Santeria religion, a religion that gave access to the LGBTQ communities.
There was ample evidence of this in her books, including the seminal El Monte and Yemayá y Ochun, said Piña. Cabrera also kept many notebooks on the role of women Santeras.
Cabrera also seemed to have a great identification with Yemayá, the mother goddess, who was said to protect homosexuals, Piña explained. In Cabrera’s personal papers, documents, diaries, and even recipe cards, she often wrote the name of the deity in the margins. She also often used the name jicotea (turtle), even signing letters to friends with the name Jicotea Lydia. The jicotea is one of very few animals who have an androgynous nature, said Piña.
Martin Tsang, a Council on Library and Information Resources (CLIR) Postdoctoral Fellow at the University of Miami Libraries, offered a bold take on the Afro-Cuban orisha, or deity, Inle, considered both a wise medical healer and a protector of the queer.
In the Santeria religion, Inle is associated with the Catholic saint San Rafael, whose feast falls on October 24. Tsang pointed out that Cabrera wrote in El Monte about a group of lesbian santeras who had Inle as their patron deity. On his feast day, they would burn a straw fish (one of his symbols) in his honor and sell “tortillas de San Rafael” on the streets around Havana’s La Loma del Angel neighborhood. Tsang believes that the term tortillera, commonly used by Cubans to describe lesbians, may have stemmed from that practice.
The two-day conference, last held in 2014, was attended by about 300 people and concluded with a special event at HistoryMiami Museum. Dean Eckman noted that financial support for the conference came in large part from the 1-year-old Goizueta Graduate Research Fellows Program.