by Rosa Monzon, Cuban Heritage Collection
The exhibition includes a digital component through which viewers can watch videos of Ochoa’s performances.
Maestro Manuel Ochoa, a Cuban exile musician, choral and orchestra conductor, and founder of the Miami Symphony Orchestra, was the focus of a reception at the Cuban Heritage Collection (CHC), at the University of Miami’s Otto G. Richter Library. The event served as the official launch of an exhibition that includes Ochoa’s greatest works and documented memories, which are preserved and available for research at the CHC in the Manuel Ochoa Papers.
Ochoa is recognized internationally not only for his numerous contributions to classical Cuban music in the island but also his work in Spain, Austria, and the United States.
Curated by Meiyolet Mendez, librarian at the CHC, the exhibition displays photographs, letters, publications, music scores, and concert programs of Ochoa’s personal life and career. Included is a photograph from the beginning of Ochoa’s career, at the age of 17, conducting members of the Holguin Choral Society, which he created in 1942, even before he had any formal training. Another photograph shows Ochoa leading the Belen Jesuit Choir in Havana years later. Ochoa’s lesson plans and notes on working with child choir singers also are on display.
“One of the most exciting parts of working on this exhibit was the opportunity to bring to life Maestro Ochoa’s entire career,” said Mendez. “I discovered a person who was passionate about music and music education, and who loved sharing that passion with others.”
Also on display is a paper program of the Concierto Sacro, sponsored by the Cuban Catholic Artists Guild, featuring Ochoa’s Coro de Madrigalistas (Madrigal Choir), popularly noted as the best choir in Cuba, in 1956, Havana.
A driving force and inspiration in Ochoa’s life was always his family. One of the highlights of the exhibition is a photograph of his mother, Caridad Ochoa, who was a trained opera singer, plus a tear sheet from The Miami Herald with an article by David Lawrence Jr. celebrating Ochoa as well as his wife and biggest supporter, Sofia Ochoa.
“She was at his side every step of the way,” said their son, Manuel Ochoa Jr. “My father always said she made it easy for him to just stand at a podium and conduct.”
Esperanza Bravo de Varona (left), former chair of the CHC, and current chair Maria Estorino recognized Sofia Ochoa (right) during the event.
Sofia’s unwavering support for her husband continued after his death, in 2006. She not only donated his collection but also contributed countless hours as a volunteer in the processing of these records.
“When my mother and I thought about how we would remember and commemorate my father, we wanted a living memorial,” said Ochoa Jr. “We wanted to share his life story so that others, especially young Cubans and Cuban-Americans would be inspired to continue his musical legacy.”
After studying and working in Cuba, Vienna, Spain, and Rome, Ochoa settled in Miami following the Cuban Revolution. On display are photographs of Ochoa’s performances in Miami, such as the first Festiva Symphony Concert at the Colonel Hotel in 1989. There is also a photograph of acclaimed Cuban pianist Zenaida Manfugás, from the same concert.
In Miami Ochoa also created the Society of Arts and Culture of Americas, but his greatest contribution to the city’s cultural development was the creation and leadership of the Miami Symphony Orchestra for more than 25 years. Multiple playbills from its concerts are displayed in the CHC’s Roberto C. Goizueta Pavilion, as well as audio and videos of performances.
The celebration of Ochoa’s life and legacy took place at CHC’s Roberto C. Goizueta Pavilion, where the Manuel Ochoa Papers are now permanently housed and available for research.
Considered “the highlight of his tenure with the orchestra,” said Ochoa Jr., was a concert in Carnegie Hall in June of 2000, also represented in the exhibition.
“Maestro Ochoa’s legacy lives on in the Miami Symphony Orchestra he founded and in the lives that he touched through his various cultural activities,” said Maria Estorino, chair of the CHC. “But it also lives on here, in the library, where through his own papers, his life, his work, and his passion can be discovered.”
The CHC is home to thousands of books, manuscripts, photographs, and other materials that document the rich history and culture of Cuba and its diaspora. The legacy of Maestro Manuel Ochoa, as well as countless other Cubans and Cuban-Americans, “will not only be preserved here, but it will be shared with our students and with the community,” said Estorino.
“I hope the Maestro Manuel Ochoa Collection continues to inspire and educate future generations to become musicians and conductors, and keep alive the rich tradition of classical music,” Ochoa Jr. said.
The exhibition is available for viewing through the end of summer. For more information about the Cuban Heritage Collection and its events, please visit www.library.miami.edu/chc.
View more photos from the event here.
Photos by Andrew Innerarity.
The exhibition is on view at the Roberto C. Goizueta Pavilion through the end of the summer.