Caribbean Fragments | A Library-Wide Exhibit Complements a Special Report on the University’s Close Relationship With Its Island Neighbors

Since its founding more than 90 years ago, the University of Miami has forged deep connections with the Caribbean. Faculty, students, and alumni travel throughout the islands, learning from diverse populations, providing assistance to underserved communities, and strengthening bonds. Cuba and the Caribbean, a special report recently produced by UM News in collaboration with academic units across the University including the Libraries, highlights the U’s varied activities in the Caribbean in areas such as environmental and anthropological research, healthcare, arts and culture, policy, and business.

Complementing the publication of Cuba and the Caribbean, a major exhibition has transformed the second floor of the Otto G. Richter Library and the Cuban Heritage Collection’s Roberto C. Goizueta Pavilion. Caribbean Fragments comprises a selection of historical documents, artifacts, manuscripts, and rare books from UML’s Cuban Heritage Collection, Special Collections, University Archives, and the Marta and Austin Weeks Music Library, and offers a point of departure for reflection on the research and discovery that spawn new hemispheric insights.

Caribbean Fragments was co-curated by Beatrice Skokan, curator for Caribbean Collections and interim Esperanza Bravo de Varona Chair of the CHC, and Dr. Martin Tsang, CHC librarian and curator for Latin American Collections.

Seascapes and Mindscapes

Visiting artist Leandro Soto, whose work is represented among the CHC’s holdings, has reimagined the exhibition space as a seascape—a fluid, ever-changing ocean that permeates not only the archipelago’s geography, but the imagination of its inhabitants. Inviting viewers to navigate their own experiences and emotions as they explore the objects on view, the immersive environment evokes the circulating currents of spirituality that permeate the region, the profound influence of maritime travel and migration on its evolution, and the ebbs and flows of its eternal complexities.

To view the special University report on Cuba and the Caribbean, visit cuba.miami.edu.



Graphic Novels Spotlight: Kelly Sue DeConnick

by Bill Jacobs & Sean P. Ahearn, Learning & Research Services

Image Credit: HeroesCon 14 in Charlotte, North Carolina on June 22, 2014, Wikipedia

 

Kelly Sue DeConnick is a comic book author and one of the most outspoken advocates for women’s rights and equality in the superhero graphic novel community.

DeConnick has an exemplary career having written for several major publishers including Image Comics, Boom, Oni, Humaniods, Dark Horse, IDW, DC, Vertigo, and Marvel.

 In 2012 one of the most important DeConnick updates was given to the Captain Marvel title.
Carol Danvers, our hero, dropped her old title “Ms.”, and gained a new suit (cover below). No longer are any unnecessary body parts exposed; this would be the real attitude of an Air Force captain. Along with the title hero having a realist attitude about her appearance, the themes found throughout are full of powerful feminist motifs. After an accidental mishap with time travel leaves her stranded on a Japanese occupied island during WWII, Captain Marvel finds herself being rescued by an all-woman Pilot Squadron.

In the same story, DeConnick asks her readers to contemplate women’s rights by deliberately highlighting antiquated attitudes. These sentiments, unfortunately, still plague women’s rights today.

DeConnick has no fear, and has even taken on sexuality. In a quick innocuous scene a female alien ally is pulled away from the action to quickly kiss her love (image below). This panel is an example of the blunt, unapologetic attitude that has made DeConnick stand out in the graphic novel world. Moreover, it exemplifies her open and accepting attitude about sexuality. Her devoted fan base, who have named themselves the “Carol Corps,” embrace these scenes for their narrative and aesthetic as well as ideological appeal, many finding empowerment in DeConnick’s work more than any other superhero series. She has opened comics to the female demographic, enticing and drawing in new readers who otherwise may not relate to graphic novels.

The arrival of the new, liberated Captain Marvel was embraced by some, rejected by others. This only meant DeConnick had to speak more brassily. She took her political voice to the next level in 2015 with Bitch Planet, set in an off world prison for what are supposed to be the most dangerous female criminals.

Bitch Planet is a sci-fi story that is both a literal comment on the exploitation of women in prison and a figurative criticism on women in society. As the title implies, this is not for children. While it is set in a fantastic futuristic environment, the story is dark and disheartening.

Aside from her large fan-base, DeConnick’s hard work has not gone unrecognized by the establishment; she was nominated for an Eisner award (considered the Oscars of the comic world) for Pretty Deadly, a mythological western. As graphic novels progress, so will the voices within them. DeConnick is a great example of the impact these stories have on our society and how important it is for readers to be able to identify with the characters.

Tell us what you think on Twitter or Facebook. And to learn more about any of the titles listed here or more about Kelly Sue DeConnick check out the link to our sources:

  • https://imagecomics.com/creators/view/kelly-sue-deconnick
  • http://kellysue.tumblr.com/
  • http://www.vanityfair.com/culture/2015/07/kelly-sue-deconnick-profile

About the Collection

UML’s Graphic Novels collection of more than 1,000 volumes includes newspaper comic strips, Japanese manga, European bande dessinee, and alternative American comics, in addition to superhero stories. Along with high-flying, wall-crawling, planet-saving scenarios, there are detectives tracking down lost library books, demon-fighting ronan, and wine tasting competitions. Many of the unusual storylines are woven into commentary on deeper issues, such as racial history, mass media, and philosophy. Some graphic novels avoid the fantastic entirely, and instead tell mystery stories, autobiography, and graphic essays.



Browsable DVDs!

Browsable dvds Richter Library first floor

Have some free time at the start of the semester?   Need a break once classes kick into gear?

Now you can easily browse the Libraries extensive DVD collection and escape into another world for a few hours.

In response to student requests, the Libraries spent the summer reorganizing the DVDs into broad genre categories and moving the entire collection  onto browsable shelves on  Richter Library’s First Floor.

Located just off the Reading Room, the DVD collection is shelved by broad genre, à la Netflix or your favorite video store:  Animation, Comedy, Drama, Foreign Films, Horror, Science Fiction/Fantasy, TV Programs, and Non-Fiction.

Find a title that interests you, take it to the Richter Circ Desk to have a staff member remove the locked case, and check it out.



Sharp Focus: Michael L. Carlebach Photography Collection Exhibit

Michael L. Carlebach Photography Collection Exhibit

The Michael L. Carlebach Photography Collection at the University of Miami Libraries’ Special Collections contains over 5,000 images by the UM Professor Emeritus and professional photojournalist, author, and scholar.  This exhibition showcases examples of Dr. Carlebach’s witty, ironic, and perceptive takes on life in South Florida and beyond.

Exhibition displayed on 1st, 2nd, and 8th Floor through the Fall semester.

The Lynda and Michael Gordon Exhibition Program

Related Resources: