The display of original drawings, etchings, and prints are a testament to the more than 20 years of passion and dedication Villalba Ospina has devoted to the work, culminating in the handmade bibliophile version, tabernacle-like, containing all of the elements of the exhibition and the artist’s lifework in one exquisitely crafted edition. Villalba Ospina’s personal papers and tools illustrate how he imagined and realized the pages on display, an audiovisual presentation that affords us brief glimpses into his processes and the emphasis on deliberate, manual creation. A great example is the artist’s handwritten journal, opened to the page where he estimated that the entire process of bringing to life García Márquez’s oeuvre would be completed in one year’s time. While one can argue that an artist’s work is never really finished, the work in this exhibition—over two decades on from that initial journal entry—serves as a testament to that which can be perfected and distilled with time, research, and immense creativity.